What a brilliantly written piece. Maintaining one's integrity is unfortunately rare enough that it makes Watterson's story so remarkable. I completely respect and admire his dedication to doing something for its own sake, for holding himself to the highest standards imaginable, and from walking away from it all for his own reasons - even if selfishly I'd rather him keep writing so that there would be more to enjoy. Time to go pull some old volumes of Calvin & Hobbes off the shelf for the hundredth time, I suppose.

The last Calvin and Hobbes strip [1].

1: https://www.reddit.com/r/calvinandhobbes/comments/6pig9h/hon...

This is one of the reasons I have Stupendous Man on my forearm. It's the version of him running into his classroom on the back of one of the books (arms flexing triumphantly), only I had that artist style the costume based on how he appears in Calvin's imagination.

I can't imagine getting Garfield or Snoopy on my skin. CnH was massively important to me growing up. It had so much meaning.

I also remember Watterson writing, in the CnH retrospective anthology (on the topic of Moe, the school bully), that he didn't identify with people who were nostalgic for childhood because he remembered it being a very difficult time. Poignant and true.

Edit: Btw, CnH lovers: See new book The Mysteries

https://news.ycombinator.com/edit?id=48560976

Man, I always wonder what would have happened if Bill Watterson had been around for the era of webcomics. Much more creative freedom, and no editor or syndicate to tell you how to layout your panels. Would he have loved it?

Or would he have hated it? He certainly wouldn't have wanted to build a website for it.

"A few weeks later, the project is finished. Watterson probably takes a moment to stand in the middle of the room and look up, contemplating the months of work, the tins of paint he went through, the things he learned about technique, about the joy of a job done for its own sake, about himself. Then he opens a tin of whitewash, climbs up the bed-chairs-table one last time, and paints over his work. He leaves the ceiling white, empty, fresh."

Is it Zen where they do this with mandalas? The monks spend forever building intricate sand paintings and then wipe/blow them away in an instant. Love it.

I wish I could explain why, but this is the C+H comic I think of the most: https://i0.wp.com/www.thedockchurch.org/blog/wp-content/uplo...

Question: Imagine it is right after Watterson stopped working with Universal Press Syndicate and making Calvin and Hobbes. You know someone who can get you in touch with Watterson. What do you do?

I ask because I humbly think the closest we have in the last 30 years to Watterson is Shen https://en.wikipedia.org/wiki/Shen_(cartoonist) . So much of what he did mirrors Watterson. More specifically, so much of his evolution mirrors Watterson. He clearly had a style that was working, but he evolved and it worked (not everyone evolves and it works, Matthew Inman comes to mind--still does great stuff, his new style just doesn't resonate with me personally, could just be me). I mean, it's not a one-for-one comparison, Shen has a plushie, for example (not much else). But there's a spirit there that I feel resonates with people deeply.

He recently left Webtoon and his 3x-a-week Blue Chair. I wrote him an email that he responded to, which is how I know if someone has a good response here, I can probably get it to him. I mention in my email Smol Web (aka Small Web, other names as well, heavily mentioned here on Hacker News) and he said "I like the principles in it." But I get the impression he still feels he must pay fealty to the social media gods (relevant The Oatmeal https://theoatmeal.com/comics/reaching_people ) and everything else is secondary. the tricky part is creating something that will pay the bills. If anyone wants to lend him a hand in that, let me know and I'll pass it on. Like, how /does/ do Small Web and make money?

Here's nearly all of my email to him, if you are curious. One of the things I hated was that during Shen's tenure at Webtoon they got more and more hostile to users browsing without using their app. I don't know if it figured into his leaving, or even if it was 100% his decision, but I do rant a bit about it. I also mention "We Go Forward." That is referenced in the Wikipedia article. Sadly, can't link to it without linking to a social media site.

---

Anyway, Webtoon's loss. They went public, they thought that meant they should act like Big Tech and force people into apps. Presumably to harvest all that data, make all their users the product, and sell that data to data brokers. They then wipe their hands of what happenns [sic] as that data is sold to surveillance states or worse. Of course, it's all predicated on the fact they can act as monopolies, following the Peter Thiel handbook. But assuming they could even become the next Meta or Alphabet going the way they did, regardless that the very ickiness of it should repulse one, is just hubris. Maybe they thought the app numbers, and the app data it would mean, would be enough to merger into a Meta or Alphabet. But you can't get there by simply forcing users bluntly and harshly. Forcing users is a late-stage Meta or Alphabet move, and it never starts blunt or harsh.

I see nothing wrong with them going public, per se, provided they can convince the shareholders to not be short-sighted. But I don't think they could, thus, it probably was wrong to do a traditional IPO. Shareholders want "growth" at all costs. So they will hinge on app downloads and engagement numbers with every earnings report. And so the stock price will hinge on those numbers, to the point where unless the stock price is unrelated to decision making--e.g. a non-voting arrangement for retail buyers like Zuck got--stupid decisions will be made. If not by the original company, by the "activist investment company" that buys all the shares and makes the same stupid decisions. Assuming the activist investor doesn't just turn it private again and vampires the equity.

Yes, they right now should have an app. But a simple browser wrapper app for those younger people who think everything should be an app. The core product should support browser viewing first. At least at first. Then assuming there's enough moat (which there definitely isn't yet) it's a question of morals, do you stay on that path, or do start to force people to the app little by little? Hobbling this or that. You don't go to "can't view this webcomic except in the app" right away. That's definitely a much later Darth Vader move which, again, no one should do (but if you're Zuck, you will do anyway).

I'll be glad to see you go somewhere new. Have your own site! Use federated social media! Realize there are fans who remember We Go Forward when it came out! You know, over twenty years ago, I spent two weeks on a web comic [removed, just in case it goes afoul of this Guideline "Please don't use HN primarily for promotion. It's ok to post your own stuff part of the time, but the primary use of the site should be for curiosity." This comment is about Shen after all]. I should have Gone Forward. I gave up. It had such charm in retrospect. Good for you! Keep at it! Web comics are genius, you never have to worry about handling large data or keeping systems secure. You just make a cool .png and throw it on a smol site. (Look up smol web as a concept, Smol Ghost would approve.)

"Don't stop" is what someone wrote to me once, and it meant a lot. The beauty of what you do is you /can/ Go Forward and not have to leave others behind. I think it's time for a reboot of that original comic. Like how they made a Diablo II remake with better graphics and toggles to go between old and new. You could start out new version of Go Forward with fancy graphics, then show a settings screen, toggle to old. Toggle back to new (people will get what's going on). Go all the way to the end and switch back to old. Then do some speed-runner type thing involving jumping on hidden objects and make the parents' house show up on the same screen and they can cheer him on to the end.

Don't stop, awbvious

> I show two versions of reality, and each makes complete sense to the participant who sees it. I think that’s how life works.

Not to spoil a beautiful joke by explaining it, but all of the strips are based on this. Two characters see things differently. Sometimes it’s because Calvin is in the grip of his (psychosis|childhood) and sometimes it’s a totally ex machina Watterson idea that they’re exploring, but there’s always two worlds colliding hilariously.

I have no idea if a truly competent director could catch lightning in a bottle. The movie Fight Club has been correctly compared to Calvin and Hobbes. There’s no way for stuffed toys to capture this at all. Good for Watterson for allowing his genius not to be trampled.

> It looked like the syndicate’s warnings to Watterson were well-founded: Calvin and Hobbes was threatened with widespread cancellation.

Oh, that sounds bad.

> It says something about the popularity of Calvin and Hobbes — not to mention Watterson’s pulling power as a cartoonist — that after all the outrage and arguments, only fifteen of the 1,800 papers running Watterson’s strip threatened to remove it from their pages. And only seven followed through.

What. This directly contradicts the first statement, does it not?

This is really well written, which is refreshing with all the AI.

Past:

https://news.ycombinator.com/item?id=32116184 Bill Watterson’s refusal to license Calvin and Hobbes (2016) 464 points July 16, 2022 311 comments

More on Calvin and Hobbes: https://hn.algolia.com/?dateRange=all&page=0&prefix=true&que...

Another anecdote (where it came from I do not remember) stuck in my brain was that Watterson's editor called him one day to tell him that STEVEN SPIELBERG was on the phone to talk with him about a Calvin and Hobbes movie. Watterson refused to take the call.

Have to say, I've always admired Watterson's determination to keep Calvin and Hobbes a comic strip and not compromise on its vision for money/fame. As the article itself points out, it would have been very easy for it to become the next Peanuts or Garfield, and most artists probably would have taken that route the minute it became available. Heck, given the obsession with side hustles and grifting and get rich quick schemes, I don't think I could see any present day comic creator (or creator in general) making that sort of decision.

But yeah, it's admirable. Especially given how the average comic strip runs for decades on end with less and less humour or charm until its eventual cancelation.

Reminds me of why the lucky stiff for some reason...

There's no art that can be stopped. You only need to convince someone else to print it if you want money.