| ▲ | simpaticoder 10 hours ago |
| The home audio market has moved on, leaving this consolidation in its wake. There is something wonderful about listening to physical music recordings without using a screen. It's like cursive writing, or knowing how to drive a stick-shift. But barring a Carrington event, or some moderate-to-severe internet catastrophe, its hard to motivate the utility of this kind of "middle path asceticism". "Shed no tears," the futurists say, since not too long ago most if not all "educated people" knew Greek and Latin, how to use a slide-rule, and how to saddle and ride a horse, and we don't particularly miss those things. I would argue caution, not least of which because this argument is too closely aligned with the market forces that know it's far more profitable to charge you per action than per object. It's always hard to know if we lost something important, or shucked off a barnacle holding us back, until we're looking back. I believe there is a sweet spot between the endless toil of "no technology" and the profound ignorance (and helplessness) that comes from putting everything behind a screen. I suspect that the hi-fi gear between the 1970's and 2010 will continue to be collectible for this reason for at least 100 years. |
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| ▲ | foobarian 8 hours ago | parent | next [-] |
| My pet theory is that stupidly powerful rare-earth magnets, and class D amplifiers are the two main things that killed "hifi" type audio. No more black magic needed messing with transistors and op-amps on bespoke circuit boards that used to be the moat for these oldschool brands. My Alexa Echo Dot 4 sounds better than my home audio setup from the 90s. Now, a fair comparison would be to a modern floor speaker with modern magnets and amps, but I'm too old for this :-) |
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| ▲ | schrijver 6 hours ago | parent | next [-] | | > My Alexa Echo Dot 4 sounds better than my home audio setup from the 90s I have a hard time believing this… yes today’s small devices sound better than small devices ever did. A lot of work went into that because people appreciate the reduced footprint. Also, those speakers are super cheap in comparison to the budget people would allocate to their stereo setups in the day. But I’ve never heard a small speaker sound better than a 1970ies or later hifi amp + speakers from a decent brand. With big speakers you can reproduce all these frequencies without physics tricks. The sound is more laid back and the soundstage fills the room. All the recent engineering has gone into making speakers small, cheap and wireless, like in the 90ies it went into creating multi-channel audio, but I would say stereo sound quality, as used for popular music, already peaked in the 70ies / 80ies. Of course you can still get those quality hifi components today, or even better than that, but the median household is not listening on that and I’d wager has worse sound today than was the norm in the physical media era. | | |
| ▲ | majormajor 6 hours ago | parent | next [-] | | How big of a speaker, though? In the 80s and 90s the world moved to 6.5-or-less bookshelves which generally struggle with bass compared to a lot of modern smaller stuff. Meanwhile a lot of music started using low bass a lot more. | | |
| ▲ | hxorr 4 hours ago | parent [-] | | In addition to this, front baffle width correlates with efficiency, i.e. modern narrow front baffle speakers need a more powerful amp, combine that with the necessary smaller bass drivers and you see why most modern speakers have crap bass |
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| ▲ | lomase 4 hours ago | parent | prev [-] | | People asociate the non linearity distortion of bad amplifiers as pleasant. What sounds good for a consumer may not work for profesionals who want pristine converters. |
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| ▲ | ycui1986 7 hours ago | parent | prev | next [-] | | The opamp back in the days were pretty terrible. NE5532 was the king of audio opamp for decades until the early 2000s. Modern Class D are built on advanced semiconductor processes (they are considered legacy node in the eye of Hacker News's primary audience. They are at least a lot better than the early days in terms of performance in analog domain.) When an IC company spend a lot of R&D money to develop Class D amp, they for sure exhausted what they can do before they tape out. That results in the superbe performance of modern Class D amplifier. There is still oppertunities in getting analog Class AB type of amplifier working better, such as adding motional feedback control sensor-less or with sensor. KEF recently released a motional feedback soundbar with back-EMF voltage as sensor. It sure improve the sound quality for a soundbar. Although physics is physics, one cannot make a 1 inch speaker sounds like a subwoofer, but motional feedback sure can make 10 speakder sounds like a 15 inch subwoofer. Sound reproduction is not just a flat frequency response. Perfect reproduction of phase information generates wider 3D sound stage, without the need of DSP to fake it. | |
| ▲ | majormajor 7 hours ago | parent | prev | next [-] | | Speaker box design advanced dramatically since the 90s too. The start of it was then - Bose made a lot of noise with compact-for-the-time stuff - but it's really advanced since then. Compare the sound quality of a laptop then with a larger MacBook now. And when you can get decent sound at decent volume out of a small package a lot of people don't want to give up a ton of space for extremely-good sound at high volume. | |
| ▲ | getlawgdon 5 hours ago | parent | prev | next [-] | | If your Alexa d4 sounds better than your home hifi the your home hifi wasnt. | |
| ▲ | numpad0 6 hours ago | parent | prev | next [-] | | It's advancements in delta-sigma DACs during around 2005-2015. So amps. Bit depths and noise levels improved massively. It's that that solved audio. | |
| ▲ | apercu 2 hours ago | parent | prev | next [-] | | Digital music through digital systems has a lot of glorious qualities. But listening to records through my tube marantz or zenith amplifiers sounds way better to me. Tell you what, I’ll set up my Smaart rig (rational acoustics) in the room and see if I can find evidence :) | |
| ▲ | mc32 4 hours ago | parent | prev | next [-] | | Good class Ds are not that cheap. Hypex and now Purifi based amps are good but not what I’d call cheap. Evenso lots of people like AB amps and some even like the old A amps fooling around with their “valves”. | | |
| ▲ | ahartmetz 2 hours ago | parent | next [-] | | My SMSL SA-50 sounds an order of magnitude (in price) better than my Marantz PM68 and costs an order of magnitude less - in other words, it sounds fantastic and it was cheap. Some of the early carriers of class D hype (Tripath based) were even cheaper. A good chip and a bunch of quality passives don't need to be that expensive. So I'm more concerned about Samsung owning B&W (there is no real substitute for good speakers) than Marantz and Denon. It seems like really good amps can be made by sticking to class D chip application notes these days. | |
| ▲ | hxorr 4 hours ago | parent | prev [-] | | The accepted wisdom in the audiophile community is you get what you pay for, i.e. a good implementation of any given amp topology remains a good implementation regardless of the topology. Once you get to a certain $$$ range, the sound of tube amps and transistor amps (and class D amps I might add) begins to converge. | | |
| ▲ | bluGill 3 hours ago | parent [-] | | Maybe but plenty of AB tests have shown that they can't actually hear the difference they talk about. Those who are aware of this and objective save a lot of money by buying quality - still a lot of dollars but not the most you can spend. |
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| ▲ | hulitu 4 hours ago | parent | prev [-] | | > and class D amplifiers are the two main things that killed "hifi" type audio class D amplifiers is to hifi, what lung cancer is to lung. /s |
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| ▲ | heresie-dabord 9 hours ago | parent | prev | next [-] |
| > The home audio market has moved on The audio business has merged with the "home theatre" business. The pursuit of audiophile quality was always a boutique/niche market. > listening to physical music recordings without using a screen You don't need a screen to listen to good audio reproduction. FLAC does of course need a digital device and storage. But there are huge advantages to FLAC over "physical music recordings". You can store FLAC on a USB key and plug it into a modern amplifier to listen. If you must have a spinning wheel (get it?) you can burn FLAC to an optical disc and play that in a player without much "screen". But even optical discs are artifacts of the past. > It's like cursive writing, or knowing how to drive a stick-shift. Handwriting is much more profound for personal development and education. The US Constitution, for example, is a hand-written document. For transportation and tools, technology and innovation will change how people live. Those who remember the past recall how folks lived with trolley buses, ice-boxes, adjusting "rabbit ears", and dialing rotary telephones. Fortunately we can all watch old films in our home theatres. (^; |
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| ▲ | majormajor 7 hours ago | parent [-] | | > The audio business has merged with the "home theatre" business. The pursuit of audiophile quality was always a boutique/niche market. That's not really what they meant - most people do not have "home theaters" they have a soundbar or a couple of bluetooth speakers. | | |
| ▲ | crazygringo 7 hours ago | parent [-] | | Although on the other hand, if you listen with AirPods Pro streaming 5.1, you get a better surround sound and audio experience than 99.9% of speaker setups. For just a couple hundred bucks. Even beyond the audio quality and spatial processing, the noise reduction is magic that speakers can't do. It's amazing how much more detail you can hear when the sound of the HVAC is removed, the hum of the refrigerator, the rumble of traffic. Not to mention the total elimination of sonic reflections off your walls and ceiling that muddy the sound from speakers, unless you're applying treatments. | | |
| ▲ | majormajor 7 hours ago | parent | next [-] | | Yeah while home audio tech has moved sideways, consumer headphone tech has gone through the roof in every way. But you touch on another of my pet peeves - took some work, but getting rid of those noises in my tv-watching space was very worth it. | |
| ▲ | vachina 3 hours ago | parent | prev | next [-] | | AirPods sounds like audio solutions for poor people. Having to resort to tricks to mask the deficiencies in their lives. | |
| ▲ | heresie-dabord 5 hours ago | parent | prev | next [-] | | > ou get a better surround sound and audio experience than 99.9% of speaker setups Headphones and earbuds are not the way everyone listens to music, though. With a good amplifier and speakers, I can be seated a few metres away and enjoy classical music and jazz with comfort and very realistic acoustics. | |
| ▲ | baq 7 hours ago | parent | prev | next [-] | | Nobody is saying headphones can’t deliver a good experience, but you can’t cheat physics when going below a couple hundred hertz. | | |
| ▲ | crazygringo 6 hours ago | parent [-] | | Not sure what you're saying -- you know that in-ear sealed headphones (like AirPods Pro) have phenomenal bass? There's no leakage path, and no destructive interference issues. All the issues with driving bass in speakers just... don't apply with sealed headphones. It's basically perfect bass. The only thing you don't get is the full-body shaking sensation that massive speaker bass provides. But that's not even audio. That's more like amusement-park ride stuff. (Not to say it isn't great too.) I mean, tell me what you think of the frequency response below 200 Hz here: https://storage.googleapis.com/headphones_com_blog_files/app... (from https://headphones.com/blogs/reviews/apple-airpods-pro-2nd-g...) | | |
| ▲ | majormajor 6 hours ago | parent [-] | | I have AirPods Pro (and like the B&O EX much better, personally), but I wouldn't use them for bass-heavy stuff even compared to over-the-ear ones, let alone a system with big woofers. It's just not the same as filling a room, and not just in an "amusement-park" way. |
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| ▲ | TacticalCoder 4 hours ago | parent | prev [-] | | [dead] |
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| ▲ | ttoinou 9 hours ago | parent | prev | next [-] |
| "asceticism" with a lot of stuff to buy though I always wondered if we could replicate the physicality of vinyl / CDs, games ROM etc. through memory cards (like SD Cards) in an enclosure with a label on it with a player made on purpose for them. This way we get physical media, easy to create yourself, not too expensive, in a digital way |
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| ▲ | MisterTea an hour ago | parent | next [-] | | > I always wondered if we could replicate the physicality of vinyl / CDs, games ROM etc. through memory cards I kinda like the idea that the music is stored as a raw analog signal pressed or magnetically stirred onto physical media. There's no file format, no codec , no DRM and no CPU involved. It's more of a protest against the digital assault that turned a ritualistic listening experience into a effortless, passive background task. There's also a big nostalgia factor where a lot of people like me grew up with vinyl, cassettes and CD's when they came out. High school years were rife with tape trading, DiY mixes and kids who made their own music. In HS I knew kids handing out tapes with their fresh new rap or garage grunge band. You won't get that magic back with an SD card in a cardboard facade (or spotify for that matter.) | |
| ▲ | steveBK123 8 hours ago | parent | prev | next [-] | | The thing with physical media that is often missed is - it never interrupts you for an OS update, you never lose content due to lapsed subscription, artists/labels can't revoke songs, theres no controller app that can be broken by updates, you don't have to worry about your speakers aging out of firmware updates. You just put the media in and press play. Sure having infinite streaming libraries is cool yes, but people listen to the same stuff or slowly expand listening habits.
$10-30/mo for life ends up being a lot more money than just buying what you actually enjoy and listening to radio/stream like stuff to sample new. The streamers are slop slingers now. Ironically I have found that YouTube's recommendation engine is 100x better for me than Spotify/Apple/Tidal ever were, and I don't even pay for Youtube, lol. Or sites like Discogs for more engaged music discovery. | | |
| ▲ | eterm 8 hours ago | parent [-] | | > you never lose content due to lapsed subscription You do however lose content to phyiscal damage or just misplacement. I love CDs, but I've also lost some of my favourite CDs to damage or loss. Yes, the quality of recommendations is generally terrible, but the equivalent in the physical media age, walking into a CD store and hearing something you love, just sadly isn't coming back. Spotify etc are still unreasonably cheap for what they deliver, it costs the same as a couple of albums a month. | | |
| ▲ | SoftTalker 7 hours ago | parent | next [-] | | But another problem with online streams is that they are increasingly not the original music. More and more are remastered, autotuned, rebalanced to sound good on a phone speaker or earbuds. This can probably be done largely with AI now. A vinyl album or even a CD or local mp3 file is what it is when it was recorded, and will stay that way as long as it lasts. | | |
| ▲ | Dwedit 5 hours ago | parent [-] | | To be fair, the stereo versions of The Beatles recordings badly needed remastering. Lots of things were hard-panned. They treated the original stereo mix as some novelty, and put all their focus and effort into the mono mix. |
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| ▲ | steveBK123 7 hours ago | parent | prev | next [-] | | Most people outside their teenage years, unless music is their passion, are not actively engaging with the streaming services enough to consume 2 albums of new content monthly. The old iTunes pay per song / album model with 30+ second previews is arguably a better model than where we’ve landed. | | |
| ▲ | baq 7 hours ago | parent [-] | | I beg to differ. Most people I know use streaming for automated relevant recommendations. I’m listening to Tidal’s daily discovery playlist on most days and most of it is meh, but I make a note of a new piece every other day or so. | | |
| ▲ | SoftTalker 6 hours ago | parent [-] | | I'm not sure who is the outlier but I'm like the GP says. Was into music and stereo systems as a teen and into my 20s. Now, I just listen to whatever is on the radio in the car. Even streaming is too much hassle most of the time. I will go to YouTube music occasionally when I get the urge to listen to a specific song, but that's pretty rare. |
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| ▲ | danaris 5 hours ago | parent | prev [-] | | This is why the happy medium is owning your own data. You can have the CDs or not, but owning your copy of the MP3 file, which you keep on a hard drive, or on a thumb drive, or on a portable SSD (in any of these cases, with a backup somewhere!), or wherever, means that 1) you can play it any time you want, for no extra money 2) your access to it can never be revoked 3) you can keep copying it onto new physical media any time you're worried about the old one wearing out |
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| ▲ | jsheard 9 hours ago | parent | prev | next [-] | | https://kazeta.org is doing something along those lines for games. | |
| ▲ | t_mann 9 hours ago | parent | prev | next [-] | | We do have stuff like that, here's an example for kids: https://tonies.com They seem quite well made, if not exactly cheap. I believe there's also a way to store your own mp3's, but I don't know how open the interface really is. Ofc you can also make sth like this from scratch. | | |
| ▲ | noahjk 6 hours ago | parent | next [-] | | We recently purchased a Hörbert for our kids, which is everything you (I) want and nothing you don't - music is loaded via a SD card, there are 9 "playlists", it's mostly wood, and there's no need for WiFi or additional purchases. The only catch is that they don't ship to the US (we just bought one in Europe and brought it back). https://www.hoerbert.com/ | |
| ▲ | locusofself 9 hours ago | parent | prev | next [-] | | My daughter wakes us up every morning smacking her tonie box (that's how you skip songs). The figurines don't actually contain the music, they just have an NFC chip in them. The Tonie Box is connected to wifi and downloads the content. The child doesn't really know any better though, it still gives them the physical experience without a screen. | | |
| ▲ | rahimnathwani 7 hours ago | parent | next [-] | | This reminds me of the modern fisher price record players. The old ones were traditional music boxes, and each record had the musical notes. The new ones have the score built in to the player, and each record just provides an ID for which track to play. So you can only play music that is built in to the device. | | |
| ▲ | Dwedit 5 hours ago | parent [-] | | I never had the music-box style Fisher Price record player, I had the one that was an actual phonograph. | | |
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| ▲ | t_mann 8 hours ago | parent | prev [-] | | Ah ok, sounds like a smarter way to do it. How hackable would you say is it, eg to register your own NFC chips? It seems like a nice platform. | | |
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| ▲ | vel0city 8 hours ago | parent | prev [-] | | For those looking at these, I highly recommend Yoto over Tonies. |
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| ▲ | walthamstow 9 hours ago | parent | prev | next [-] | | The Yota player for kids is basically this | |
| ▲ | rwmj 8 hours ago | parent | prev [-] | | Really really really missing the point! Firstly I'd object to your statement that you have to buy a lot of stuff to get into it. Record players aren't expensive, and vinyl is also cheap (and don't look on ebay, go to your local thrift stores / charity shops -- or even better, your parents' house). Secondly the physicality isn't somehow the friction of associating music with a physical object, but the actual experience and sound of a record playing. You won't get this unless you do it, often, with wonderful music, so it's hard to describe. You're right, that it is a lot of stuff. I'm looking now at 6 shelves filled with records. That definitely doesn't work for people in small apartments. | | |
| ▲ | ttoinou 6 hours ago | parent [-] | | Im only criticising the use of the term asceticism here… of course I know the experience and sound is different | | |
| ▲ | simpaticoder 5 hours ago | parent [-] | | Asceticism is a term, like "large" or "small", that only has meaning relative to some standard. Relative to "hear whatever I want from the entire history of recorded music right now using a single cheap device", the act of playing a physical format on a complex assortment of devices you integrated is relatively ascetic. Hence the softening of the term with "middle path". |
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| ▲ | Arubis 9 hours ago | parent | prev | next [-] |
| > it's far more profitable to charge you per action than per object. This is a really insightful and concise descriptor. |
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| ▲ | ikari_pl 7 hours ago | parent | prev | next [-] |
| > barring a [...] moderate-to-severe internet catastrophe, its hard to motivate the utility of this kind of "middle path asceticism" Like a music producer contract ending with a streaming service? This is all it takes for you to lose "your" music today. |
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| ▲ | Workaccount2 4 hours ago | parent | prev | next [-] |
| I don't think there is any special development other than the cheap comodification of hardware. Hardware has been largely solved in our everyday domains, and it's not where the money is anymore, or has been for years. Stuff that is "good enough for anyone" is cheap, made in China, and readily available from a manufacturer skimming by on a 5% margin. |
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| ▲ | iancmceachern 8 hours ago | parent | prev | next [-] |
| I agree, it already is. There are whole YouTube channels already, people collecting "old" hifi gear, collecting and listening to taoes and cds, etc. It's a whole subculture already, I think it'll grow. I think there will be niche brands that bring some of these things back. |
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| ▲ | Der_Einzige 7 hours ago | parent | prev | next [-] |
| Ya but the great things we lost to time were often computer tech. Vector display tech is dead despite being objectively amazing, for example. Central vacuums are also uncommon compared to the 70s and they were and still are better than what most Americans use today. Hi-fi isn’t like this because huge amounts of it is literally placebo. Sorry but your gold plated cables do not in fact improve your sound quality. |
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| ▲ | zwnow 9 hours ago | parent | prev | next [-] |
| I worked in this industry for years. Its actually sad what people consider "good" audio nowadays. |
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| ▲ | baq 9 hours ago | parent | next [-] | | Kids these days literally have no idea how things can sound, so content is mastered for them and their el cheapo Bluetooth inears, so proper equipment (not necessarily expensive and most definitely not audiophile-tier, mind you, just something that acknowledges physics) owners get scraps and leftovers. | | |
| ▲ | wolrah 8 hours ago | parent | next [-] | | It's not just "kids these days", look at the popularity of sound bars as well. Sure, they're better than what comes built in to a modern TV but as you note physics is still physics and small speakers will never sound as good as large ones. Hell, we can even chase that one back further, remember how much money Bose spent in the '90s convincing people that tiny speakers plus magic can somehow sound comparable to a proper stereo or home theater system? They were absolutely full of shit, but a ton of people believed every word of it. | | |
| ▲ | qlm 8 hours ago | parent | next [-] | | While I don't disagree, I find that small speakers are dramatically better today than they were even 15 years ago. | | |
| ▲ | 7 hours ago | parent | next [-] | | [deleted] | |
| ▲ | bsder 3 hours ago | parent | prev [-] | | > While I don't disagree, I find that small speakers are dramatically better today than they were even 15 years ago. Then why is what comes out from my "modern" soundbar so crappy compared to the one I bought 15 years ago? I had to retire my ancient soundbar because it had Bluetooth without security and would regularly pump out 100db of some show that our neighbors were watching at random times. However, the sound quality was vastly better than any soundbar I can buy now--even my wife complained about the soundbars we tried--they were that obviously worse. I had to suck it up and buy a full blown sound system to match a stupid cheap-ass JBL soundbar from 15 years ago. | | |
| ▲ | zwnow 2 hours ago | parent [-] | | JBL is unfortunately one of the brands that people buy nowadays and think of as "good". Well already was a thing 8 years ago... Please do not buy JBL nowadays. Its crap made for being thrown away after a few years. Real speakers are repairable usually. The expensive ones we sold even had 70 year - lifetime warranty. Its true that old speakers often have really good sound though. A lot of it is mechanical which didn't change a lot in the last decades. Modern speakers have electronic shenanigans that might work, but doesn't provide a noticeable difference in my opinion. Except for noise canceling. | | |
| ▲ | bsder 2 hours ago | parent [-] | | No argument. All the "modern" JBL soundbars were just as crappy as the rest of the "modern" soundbars. I remember buying that soundbar (back at Fry's!) and all the soundbars were pretty much just as good (well, the Bose ones were garbage and overpriced, but let's not get started about that ...). They weren't audiophile quality, but they were good enough that an amateur like my wife really couldn't tell much difference. What the hell happened that caused soundbars to go to shit? |
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| ▲ | beagle3 8 hours ago | parent | prev | next [-] | | I vaguely remember reading about heterodyning speakers in the mid 90s - the physics does check out, and such technology should be able to deliver perfectly flat response along the entire audible spectrum and with a tiny footprint. I guess they never managed to make it work or cheap enough or safe enough (yes, it’s also supposed to be flat at the harmful subsonic frequencies) IIRC the idea is to have two crystals, one at a constant e.g. 100khz, and the other at (100+x)kHz for x corresponding to the sound you want. By physically connecting them, you get the sum (ultrasonic, lost energy but not a problem) and the difference - which is the sound you want - with most of the physics across half an octave so easily flat. Something along those lines. | |
| ▲ | thewebguyd 7 hours ago | parent | prev [-] | | To be fair to those Bose speakers, to someone that didn't have a proper stereo set up, nor ever experienced one, they sounded amazing and people are notoriously bad at discerning audio quality |
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| ▲ | yread 8 hours ago | parent | prev | next [-] | | Same with the headphones. I got a WH-1000xm3 that all reviews praise for sound quality and it sounds like complete shit, muffled, over emphasizing bass, no clarity. You're supposed to "fix" it using EQ. And you can't even adjust eq if you want to use the bettter audio codecs. If I paid the original list price for this i would be furious | | |
| ▲ | 7 hours ago | parent | next [-] | | [deleted] | |
| ▲ | blackoil 7 hours ago | parent | prev | next [-] | | > all reviews praise for sound quality objectively or compared to similar bluetooth, noise-cancelling headphone? Most of the reviews I heard agree that even a mid-tier IEM or wired headphone beats shit out of them. | |
| ▲ | tekdude 7 hours ago | parent | prev [-] | | One thing you can try with headphones is changing the earpads: specifically the shape, but maybe also the material. I have Shure SRH840A headphones, and out-of-the-box I was NOT happy with the sound. Someone suggested trying different aftermarket earpads, and I found a pair of "angled" pads that changed the sound quality to exactly what I wanted. I was surprised how dramatic the effect was. The pads are huge and look ridiculous, but I only use these headphones at home so it's fine. |
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| ▲ | zwnow 9 hours ago | parent | prev [-] | | Yea I used to listen with Focal speakers for a while. Dali is also pretty good. In the shop I used to work at we would have vinyl play a lot, real vinyl, not the plastic that is mostly fabricated nowadays. But considering to what kinda music some people listen (autotune rap) quality doesn't matter I guess. Its mostly about vibes now. |
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| ▲ | basisword 7 hours ago | parent | prev [-] | | The large number of people complaining that the new iPhone Air only has one speaker instead of two opened my eyes to this. There are a large number of people listening to music and watching Netflix using just the built-in phone speakers. Scary. |
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| ▲ | mrandish 5 hours ago | parent | prev | next [-] |
| > There is something wonderful about listening to physical music recordings without using a screen. It's like cursive writing, or knowing how to drive a stick-shift. I'm old enough to have bought a lot of vinyl records, cassette tapes, VHS tapes, Laserdiscs, etc back when they were the mainstream consumer formats and there were no better alternatives, so I get what you're saying. However, it feels like you're conflating three different concepts here. 1. The abstract idea (or perhaps 'ideal') of using vintage technologies being an expressive act which demonstrates something about you and your values to yourself and/or others. 2. The internal physical sensory pleasure one might subjectively feel from performing a manual action, separate from the purpose or utility of that action - such as cursive writing, calligraphy, shaping a wet clay pot, etc. 3. The net utility and objective technical fidelity of an action like "playing recorded media". To me, these are all significantly different things and blurring them together niggles at my pedantic, engineering brain. If you're talking about #2 (internal subjective pleasure you physically feel from 'doing it'), that's great! I'm happy for you - but it's purely a "You" thing which may or may not be experienced by others. As for #1 (expressive act demonstrating your values), your values and whatever emotions performing that act evokes inside you are purely subjective. One person's 'sacred temple' may be another person's 'old building'. But #3 has elements which can be objectively evaluated on various dimensions. When we're talking about "playing recorded media", vinyl is objectively worse at recreating the full bandwidth present on the original studio master (probably an analog 2-inch master tape back in the day) - and I promise you I'm NOT being biased toward 'new' or 'digital'. Not all new technologies are necessarily better in all respects and not all digital processes are better than analog. For example, I posted here last week pointing out that there are still a few very specific technical parameters in which esoteric, ultra-high performance, high-definition analog CRTs costing >$20,000 (which most people have never seen in person) can outperform today's best reference-grade (>$10,000) flat screens (of course, outside those very rare, highly specific traits - most mediocre flat screens are objectively better than even a good consumer CRT TV). My point being that with #3, we can have an interesting and potentially useful exchange about traits which can be objectively assessed. We may not always agree about the relative utility or value of various traits, but at least we're talking about traits which can be mutually measured and understood - so we know we're disagreeing about the same objective thing. Whereas with #1 and #2, other people may not share your exact values or the sense of sacredness they evoke in you. And, sadly, I cannot share the internal pleasure Yoyo Ma experiences in the act of playing the cello. Of course, I DO have my own flavors of 'meaningful rituals' which evoke ineffable feelings and sensations in me - but I've always understood they only exist in my own mind, not the external environment. |
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| ▲ | ghaff 9 hours ago | parent | prev | next [-] |
| After a kitchen fire, with a house cleanout, I was actually somewhat disappointed to get back my stereo rather than having it paid for by insurance. I'll hook up my receiver, DVD/stereo, and a couple of fairly large speakers, but I probably won't use much and certainly wouldn't have bought again. |
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| ▲ | deadbabe 10 hours ago | parent | prev | next [-] |
| It is more romantic to put on a vinyl record than to play digital music. The physicality of it is a ritual that leads us back into a more physical world, where the things that exist are what you can touch and feel, and every action and reaction comes naturally as a result of raw physical contact, with nothing in between. |
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| ▲ | Scene_Cast2 9 hours ago | parent | next [-] | | I'll copy-paste a comment I saw on Nikon Rumors (not sure whether it's copypasta or not) --- I drove my electric BMW the other day, blasting a simulated V8 noise from speakers. It was a cold grey murky day but no rain. I stopped by the gas station to fuel my stomach by a bag of chips and the Snickers bar, because I went without eating a breakfast that morning. I saw a lonely dog by the roadside. It looked sad. I took my digital retro-styled camera with film simulation function out of my retro Billingham bag and took a photo. A little speaker in the camera has simulated the film advance noise just like in the past. Doggo looked at me with its sad eyes and went away. I took a glimpse of a photo of a dog and pressed "film grain +2" in the menu. Lovely shot. I'll post it to the Insta, probably. Then I entered the store, bought my bag of chips and the Snickers bar and saw a vinyl record corner. Man, I love vinyl. Those digital files pressed onto tangible, tactile surface. An AI-generated woman looked at me from the record artwork. Fonts were crooked. The price was $8.99 with a discount. I knew it's a pop record right away. Though, I'd love to blast an IDM track from speakers in my electric BMW alongside with simulated V8 noise, a pop record with vocoder vocals and autotune is also good. I took a record to place the vinyl on the bookshelf in my room. I know I'll be listening to the music via Spotify anyway. Man, I love vinyl. Just like film photography, it reminds me I'm alive. I'm real. | | |
| ▲ | deadbabe 9 hours ago | parent [-] | | That piece is more about inauthenticity of faux replicas rather than true anachronisms. It would be a different message if he was driving a true V8 and using an actual film camera. | | |
| ▲ | simpaticoder 5 hours ago | parent [-] | | Indeed. What the GP is talking about would be a record player that requires vinyl, but plays only enough of the vinyl to do a Shazam-style identification and then stream the remainder, adding vinyl-sounding noise with a DSP. (Alternatively, the stylus is entirely fake and contains a camera that identifies the album by label, and is moved toward the center using a stepper motor.) I really hope no-one ever makes such a monstrosity. | | |
| ▲ | deadbabe an hour ago | parent [-] | | What about a camera that just examines a scene to build a prompt then generates an awesome photo of it, instead of using the actual pixels of light? |
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| ▲ | steveBK123 8 hours ago | parent | prev | next [-] | | I've gotten into vinyl in my 40s after never having owned it before. I came of age in the cassette and CD transition era and was quickly on to MP3s in my teens. I enjoy the Vinyl & CD vibe of being fully offline. And it's also interesting how much stuff from 90s/00s era, particularly electronic music and the various remixes never made it on to streaming platforms. I assume some of it is just complexity of licensing some niche pressing of Artist C remixing a song by Artists A&B, etc. Sometimes I see some of the 2-3 CD live albums make it onto a streaming platform with like 1/3 of the songs greyed out missing due to licensing. | |
| ▲ | thewebguyd 7 hours ago | parent | prev | next [-] | | To add, as a vinyl enjoyer, it's also that putting on a record is a deliberate action. I'm putting it on with the intent to listen and enjoy it vs. most often when I open up Apple Music it's just background noise while I'm working on other things, where I just hit shuffle on my 10k song+ library. When I put on a record it's because I want to sit with it and listen to that specific album. Plus there's the aspect of actually owning your media and not simply leasing it with a monthly subscription. | | |
| ▲ | SoftTalker 6 hours ago | parent [-] | | Many (or at least some) vinyl record albums were also not just a collection of 10 tracks but were crafted to be a complete experience. You listened to the album not just one song. With streaming being the predominant way music is consumed now, people mostly just listen to one song by one artist before bouncing to something randomly selected to be next in their playlist. |
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| ▲ | Farbklex 9 hours ago | parent | prev | next [-] | | Yes, ritual is the right word. I used to do it quite a lot during COVID with cassettes and CDs while working. Helped me to more consciously get into work mode. | |
| ▲ | Wowfunhappy 9 hours ago | parent | prev [-] | | ...okay, but like, couldn't we choose a medium that doesn't physically wear out from repeated playback? CDs just seem so much better. Yes it's technically digital, but can you tell? | | |
| ▲ | bradly 9 hours ago | parent | next [-] | | One nice thing about buying vinyl these days is that they almost all come with a DRM free digital download of the album as well. Buying physical records is what has caused my digital music collection to grow the most since my Hotline 1.2.3 days. | |
| ▲ | baq 9 hours ago | parent | prev | next [-] | | Content for vinyl is mastered differently than for streaming, not sure about cds, but wouldn’t be surprised. | | |
| ▲ | SoftTalker 6 hours ago | parent [-] | | Early CDs would sometimes be made just from the vinyl master. They didn't sound very good. | | |
| ▲ | M95D 5 hours ago | parent [-] | | Are those the CDs with the pre-emphasis flag? I really hate those. |
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| ▲ | Arubis 9 hours ago | parent | prev | next [-] | | Depends on your perspective. If you’re into the ritual and interested in close, intensive listening, there’s a certain magic and immediacy to knowing you’re using a physically destructive playback mechanism—that this right now is the best this record will ever sound again. As for myself, I have young kids and this sort of thing doesn’t make the cut these days, so I stream everything. It all feels background-y and I haven’t fallen in love with an album in years and years. | | |
| ▲ | tavavex 2 hours ago | parent [-] | | > there’s a certain magic and immediacy to knowing you’re using a physically destructive playback mechanism—that this right now is the best this record will ever sound again Maybe I just don't get it - I'm much younger than the average HN user, growing up with physical media but not physical media that rapidly degraded on use like how vinyl does. But to me this sentiment is so alien that it seems like some kind of a milder nostalgia Stockholm syndrome. When we think of other physical media, no one ever romanticizes that type of thing because degradation never really existed there. Would you want a photograph that faded away a significant amount each time you looked at it? A book that had the ink on its pages visibly rub off? To me it just seems that the hard technical limitations of a long bygone era (that some people would've undoubtedly hated at the time) were given a mystique to them when people come back to them. Is the harsh fact of media degradation really inherently "magical"? Or is it that people ascribe good qualities to it because it's just the way it was? |
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| ▲ | t_mann 9 hours ago | parent | prev | next [-] | | CDs degrade pretty fast. I know people with CD collections that are basically unplayable now. And the typical plastic cases don't even make for nice shelf deco like books or paper-based vinyl cases. | | |
| ▲ | Wowfunhappy 8 hours ago | parent [-] | | These are easily fixable problems! M-Disc exists for disc longevity. High quality cases exist. I realize this isn't the world we live in so I guess I'm just yelling at clouds. But come on, Vinyl is just so obviously a bad way to preserve music... | | |
| ▲ | 6581 8 hours ago | parent [-] | | M-Discs are available as DVD and Blu-Ray only, not as CD. | | |
| ▲ | Wowfunhappy 7 hours ago | parent [-] | | Oops, yes you're right! I bet that could change pretty quickly if a big corporate customer wanted them, though. |
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| ▲ | 9 hours ago | parent | prev | next [-] | | [deleted] | |
| ▲ | numpad0 6 hours ago | parent | prev | next [-] | | > Yes it's technically digital, but can you tell? yep | |
| ▲ | bluedino 9 hours ago | parent | prev | next [-] | | You can't scratch an mp3, ruining your copy. | | |
| ▲ | 10729287 8 hours ago | parent | next [-] | | It can bitrot tho. | | | |
| ▲ | Wowfunhappy 8 hours ago | parent | prev [-] | | Hard to play without a screen though! | | |
| ▲ | redwall_hp 7 hours ago | parent | next [-] | | The iPod Shuffle managed it. | | |
| ▲ | Wowfunhappy 6 hours ago | parent [-] | | Oops, yes! I should have said "hard to use" instead of "hard to play." With an iPod Shuffle, you needed a screen to load new music. The process of managing your collection happens on screen. |
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| ▲ | vel0city 7 hours ago | parent | prev [-] | | I've had several MP3 players with more screen than any hifi CD player. Track number, maybe folder number, current time. |
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| ▲ | throawayonthe 8 hours ago | parent | prev | next [-] | | you can tell, and it sounds better :p | |
| ▲ | reaperducer 9 hours ago | parent | prev [-] | | CDs just seem so much better. Yes it's technically digital, but can you tell? I didn't think so, until a couple of weeks ago. I was in a record store and it had a CD player on sale for $30. One of those cheap blister-pack jobs. Just for a laugh, I bought it, and a couple of CD versions of records I own. (Genesis, New Order, R.E.M.) I thought "digital is digital" so it shouldn't matter that it was cheap. It wasn't great. I sounded very flat. Even with my expensive headphones, it just didn't sound right. I'm not sure if "mechanical" is the right word, but it was noticeably different, and I'm not someone who has perfect hearing. It just sounded... boring. So I compared the CD sound with the record versions that I rip with a $20 USB dongle and Audacity. The record rips sound much better than the CDs. Maybe someone with perfect hearing will think otherwise. But I'm not an audiophile. I'm just a guy who likes gadgets. | | |
| ▲ | Kirby64 8 hours ago | parent | next [-] | | Digital is digital, but you’re ignoring multiple places where things might not be the same: That $30 CD player… if it’s connected to headphones, how were the headphones driven? Especially if you have nice headphones, it’s very easy for a cheap device to not be able to competently drive them. Vinyl vs CD mastering is a thing. There could be differences there. Additionally, depending on how you ripped the vinyl (especially with a “cheap dongle”) that may introduce its own color to the record. There’s a reason why music collectors differentiate between every single source, because often there are differences (sometimes small, sometimes big) between the various sources. | |
| ▲ | phs2501 8 hours ago | parent | prev | next [-] | | Usually that means the record was mastered differently (because you literally physically can't make a record as "loud" as a CD). It's not the CD's fault, it's the mastering engineers. | | |
| ▲ | maqp 8 hours ago | parent [-] | | Yeah it depends on where the producer expects the CD to be played. 99% of music is made to be played on radio / in car etc., a noisy environment, where you don't want to be adjusting the volume knob all the time. So the dynamics are stripped in mastering phase. Music that gets pressed on vinyls isn't mastered for car-play, but home stereo equipment, so it makes more sense to have larger dynamic range. CDs have objectively lower noise floor (less hissing), and more dynamic range (difference between loudest and quietest note), but it's the mastering that usually destroys the sound. And nothing can be done about it on consumer end. Except find a less remastered version of the album in a thrift store that isn't scratched to oblivion. There's really no reliable way to tell if a CD is going to have high dynamic range, except perhaps niche audiophile studios like https://www.stockfisch-records.de/sf12_start_e.html, but https://dr.loudness-war.info/ has fantastic list of records with their dynamic ranges, so you can check before you buy, and you can also explore and find new stuff to use to listen to your speakers ;) |
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| ▲ | mixedbit 8 hours ago | parent | prev | next [-] | | If you used an analog audio output of the cheap CD player then the "digital is digital and it shouldn't matter that it was cheap" argument may not hold. The low quality of sound could be due to low quality of Digital to Analog Converter in the cheap player, not due to low quality of CD records that you have tried. | |
| ▲ | vel0city 7 hours ago | parent | prev [-] | | If your CD player had cheap anti-skip it probably does lossy digital audio compression before output. A lot of the CD-player-as-a-package chips had older, crappy lossy audio compression and saved to a small bit of RAM on the CD player. Not much of a power envelope for compute power for audio compression logic. With memory being really expensive back in the day and prices being cutthroat there wasn't much memory for the blanti-skip buffer. So you needed fast, cheap, and really compact audio compression. Nobody really bothered improving it once MP3 players came out and memory got cheaper, so even "new" CD players use the same hardware portable CD players were using in the 90s. And even then, it's not digital square waves coming out of your headphones. At some point that digital signal needs to be converted to analog waves. The quality of the DAC matters as well and can give a different quality of output. |
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| ▲ | MangoToupe 7 hours ago | parent | prev [-] |
| > There is something wonderful about listening to physical music recordings without using a screen. Don't you listen with your ears? Or am I just misunderstanding what you're talking about. Edit: ah yes, vinyl is quite romantic. Maintaining the equipment and records and moving them is less so. |
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| ▲ | skydhash 7 hours ago | parent [-] | | It's a less embodied experience. I prefer a knob than pressing a button for volume. And sliding on a piece of glass is a soulless UX. |
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