| ▲ | wilted-iris a day ago |
| Spotify is in the process of killing the librespot project that this and most third party Spotify players are built on. I think the golden age of music streaming is coming to an end. I’ve migrated to a self hosted library with streaming and radio for discovery. I hope we’ll see many projects in the space flourish. Many, like Navidrome and the whole OpenSubsonic ecosystem, seem to be doing quite well. |
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| ▲ | echoangle 20 hours ago | parent | next [-] |
| It seems like there's an official alternative to librespot now: https://developer.spotify.com/blog/2026-08-13-introducing-sp... |
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| ▲ | wilted-iris 16 hours ago | parent [-] | | Yes! This launched after I left Spotify but I agree it looks neat. I find the three month build expiration concerning, but I also have a low risk tolerance for my music experience. |
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| ▲ | HaloZero a day ago | parent | prev | next [-] |
| What makes you think Spotify is killing it? I know they aren't supporting FLAC but otherwise I don't think they're actively trying to stop it as opposed to not really caring if they support it (which is more "We don't care" as opposed to "We have to stop this") |
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| ▲ | earcar a day ago | parent | next [-] | | Author here. I haven't seen any evidence of Spotify killing librespot. To me the project looks active and works totally fine. I don't have a new Spotify account to verify the claim above. I suspect wilted-iris is conflating it with the recent changes to the Web APIs: new developer apps can't use all endpoints anymore. In Fastpotify if you add your Client ID I use both an older developer app and your app to keep everything as fast and seamless as possible. | | |
| ▲ | wilted-iris 17 hours ago | parent [-] | | Have a look at the librespot pinned issues, you’ll see the reports from folks experiencing this. You may also be able to find the legal threats they sent out to third party client libraries if you search carefully (many have been redacted.) |
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| ▲ | wilted-iris a day ago | parent | prev [-] | | Librespot no longer works for new accounts. APIs are being gated off and they’re applying legal pressure to dissuade projects from reverse engineering anything new. At the end of the day, they can turn the tap off anytime they want, whether by technical or legal means. I tired of having so much of my music experience at risk and chose to migrate on my own terms. | | |
| ▲ | inigyou a day ago | parent [-] | | They can only turn the tap off because those projects operated in ways that required them to leave it on. Biggest mistake most librefication projects make is to do their project out in the open where they can easily be subject to legal pressure, then fall into complete disarray the moment that pressure appears. They can't move underground once pressure starts, because everyone already knows who they are. | | |
| ▲ | selfhoster1312 a day ago | parent | next [-] | | > Biggest mistake most librefication projects make is to do their project out in the open That's not it. Most youtube downloaders are not developed in the open and Youtube still breaks them every other week by changing on purpose the way they operate. And, unlike highly obfuscated instructions, studying the network queries used by a simple app does not require expensive reverse engineering efforts from Spotify engineers; essentially, it's the same as developing in the open. The only case i can think where obfuscation might help would be if the actual Spotify API consumers were servers by the app developers (or some form of obfuscation via residential proxies) and the app developed an entirely different API to/from its servers. But then, you're back to the developers and hosts can receive legal threats, etc... | |
| ▲ | port11 a day ago | parent | prev [-] | | Bit of an unfair take. You propose the open-source community operates behind closed doors like the very software they aim to replace? I’d argue Spotify has so little to gain by being hostile, that perhaps the lawyers are more expensive than just ignoring these pet projects (which would never gain mass adoption). | | |
| ▲ | selfhoster1312 a day ago | parent | next [-] | | > the lawyers are more expensive than just ignoring these pet projects The lawyers are more expensive than happy customers staying customers because they can enjoy the client they prefer, that's for sure. | |
| ▲ | alt227 14 hours ago | parent | prev [-] | | > the lawyers are more expensive than just ignoring these pet projects Tell that to Nintendo |
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| ▲ | azalemeth a day ago | parent | prev | next [-] |
| If anyone other than me really likes classical music, I thoroughly recommend Hyperion Records. DRM free downloads in your choice of codec, one to two free CDs worth of sampler per month to download (with a jewel case PDF!) and some truly excellent world leading groups and beautiful new music. |
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| ▲ | 10729287 a day ago | parent | next [-] | | Thanks for sharing. I loved buying then downloading cheap samplers from punk and hardcore labels when I was younger. That was part of the culture and that really helped me discover new music and shaping my tastes. This is something that doesn't exist that much anymore and I'm glad to find this initiative. I try to listen to classical music but that's a very difficult world to discover, this will probably help by helping me to focus on few titles instead of jumping in the gigantic and maze-ish pool ! | | |
| ▲ | azalemeth a day ago | parent [-] | | I really enjoyed this comment – thank you. One part of the classical diaspora I think is both under appreciated and undergoing something of a renaissance is that of contemporary choral music. There are many great examples but two I'd like to draw to attention to two of those I have recently sung, and really enjoy: (1) The works of Ēriks Ešenvalds,[1] a Latvian composer who was a fellow in composition at Trinity College, Cambridge and brought really a large part of the surprisingly rich eastern European singing tradition to the west. I had never heard of the Singing Revolution against the USSR in Latvia, Estonia and Lithuania – countries with a wonderful, rich choral tradition where music (and choirs) played a really nonzero part in the downfall of the USSR. All absolutely beautiful and a group I sing with has worked with a lot of composers from this part of the world. Amazing soundscapes with harmonies that are never quite as good in equal temperament as outside it and yet always tonal and beautiful. (2) Desmond Earley and the choral scholars of Trinity College Dublin – who conjures up a rich sound world of very pure, Irish tones that almost sounds synthetic but is made entirely from human voices and traditional instruments. It is simple to sing but difficult to master. I would highlight Dúlamán, [3] a traditional song about the economic importance of seaweed. [1] https://www.hyperion-records.co.uk/dc.asp?dc=D_HYP202607B – track 6 (the whole lot is free!)
[2] https://en.wikipedia.org/wiki/Singing_Revolution
[3] https://www.youtube.com/watch?v=3iRfI1ezYjA&list=RD3iRfI1ezY... – this was a sampler from hyperion too and I have the whole lot legally as flac. |
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| ▲ | mike_bob 12 hours ago | parent | prev | next [-] | | Your comment really brought me back to my first job out of college, I worked for Tower Records (RIP) as a call center customer service rep. Tower was known for being the best place to find rare classical recordings, and I recall the Hyperion label as being well respected. It always fun to talk to our customers that were classical and jazz aficionados. | |
| ▲ | fransje26 a day ago | parent | prev | next [-] | | Thank you for sharing! | |
| ▲ | ErroneousBosh 18 hours ago | parent | prev [-] | | I think they've archived all the old Linn Records stuff, which is excellent. |
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| ▲ | nan60 a day ago | parent | prev | next [-] |
| > radio for discovery Would you be willing to share a bit more about this setup? The only thing keeping my on streaming is the fact that its almost impossible to find new music otherwise. I know LastFM exists but it just doesn't click for me the way that streaming does. I like discovering music organically. |
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| ▲ | bubblemoth a day ago | parent | next [-] | | I left spotify around two years ago for a self hosted option (I mostly use navidrome+feishin). Music discovery was a concern for me as well, but then I realized that I didn't like the idea of spotify curating which music I discovered. So far, this is what has worked for me: - Actually listening to the music I have now. I think the art of listening through full albums has slowly died, but there is so much music we're ignoring because we just listen to Artist's top tracks. - Word of mouth. Asking my friends what they listen to. This is a way that people used to discover music and I've found so much good music this way. - Bandcamp. Bandcamp is SUCH a good way to discover new music. You can listen to the music in app, there are great articles and you can actually support the artists! | | |
| ▲ | fbnlsr a day ago | parent | next [-] | | I have pretty much the same setup. The only thing that bothers me with navidrome+feishin is that gapless playback is not working perfectly. Also, a great resource for discovering new music is the public library. They often have a curated CD section that I then rip into FLAC. I've had great chats with the people in my town's library, and I often pick a totally random CD off the shelves and discover some amazing artists. | |
| ▲ | l72 18 hours ago | parent | prev | next [-] | | Regarding Bandcamp, I find following small labels to be a great way to find new music. Small labels tend to release music of similar style and quality. They often also have deals on bandcamp where you can buy an entire label's discography for crazy cheap, like a hundred or so albums for $50! | |
| ▲ | lolive a day ago | parent | prev | next [-] | | Mostly I listen to web radios, not always in a language that I master (hello Japanese). And Shazam plus Spotify is still a killing combo, for me. | |
| ▲ | yard2010 a day ago | parent | prev | next [-] | | While moving from spotify to youtube music a few years ago I bought a vinyl player to listen to full albums and fell for it. Then when I moved to curate and self host my collection with Plex and Plexamp I realized I'm not using the player anymore since I'm using Plexamp to listen to albums. Plexamp is not perfect and not open source unfortunately, but it's a really good non-enshitified product. I had to migrate away from youtube music since the experience was infuriating me every time. I love making playlists on the go. In youtube music after adding 30 tracks to the play queue, tapping 1 track accidentally deletes the play queue and plays this track. This made me feel bad every time it happened. I don't see how it is just accepted to lose progress in 2026 as if we're using win95. It feels like 80% of the sw I use provides a caveman UX, not leveraging the tech, leaking implementation details and being constrained by technical reasons. On the other hand, working on Prepbook[0], I realized how hard it is to create the perfect experience and how it's even harder to justify it financially. I'm doing discovery by talking to people, I love it. Every time I listen to Monolink I recall my co worker that just said "check out monolink" when he heard I love Ott. I love that it makes the experience about connection to people as well. [0] https://prepbook.app | |
| ▲ | pixelatedindex a day ago | parent | prev [-] | | Epic bought bandcamp many moons ago. Did they enshittify it or is it still going strong? | | |
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| ▲ | wilted-iris a day ago | parent | prev | next [-] | | I listen to Flow State, SomaFM, and aggregate from local shows and a few people I follow on social media among other discovery platforms. (I don’t have a favorite yet.) I found that Spotify was increasingly recommending AI artists and songs I already knew. It surfaced very little outside of my comfort zone and effectively nothing that wasn’t new. There’s a whole world of music out there that Spotify wasn’t showing me. | | |
| ▲ | bityard 21 hours ago | parent [-] | | I stopped listening to Pandora well over a decade ago because its algorithm eventually decided that I only liked 12 songs in the whole world. |
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| ▲ | dylan604 a day ago | parent | prev | next [-] | | > radio for discovery was a big question mark I had as well. The Clear Channel and iHeart stations are not known for discovery. Now if you find a college station or by some miracle an independent station you can get some new stuff. My favorite local college station is also ad free. They also have an app which I lean on as it's not the strongest transmitter so their coverage is spotty. Maybe there's other indy stations with apps as well?? | | |
| ▲ | BLKNSLVR a day ago | parent | next [-] | | This radio station is local to the city I live in, and they've been great for music discovery for me, although heavy focus on local artists, but they've put me onto a few international artists as well. https://threedradio.com/ I subscribe to them, have done so for ~10 years I reckon. I don't listen as much as I used to, but I want them to continue existing either way. Be aware, the quality of their playlists is incredibly variable, but that's part of the charm. I guarantee you'll hear something you haven't heard before... for better or worse. Example: https://www.youtube.com/watch?v=6zHR0HMFY60 (with 2 minutes of silence at the start to, presumably, avoid auto-copyright claims). | |
| ▲ | mcmcmc a day ago | parent | prev | next [-] | | Public radio is great, NPR and the member stations have some great streaming channels. KEXP and KCRW are two favs | |
| ▲ | wilted-iris a day ago | parent | prev | next [-] | | I believe there are! I consistently hear good things about KEXP and FIP but I haven’t listened to either extensively. I listen to a lot of SomaFM (free, https://somafm.com/) and the Flow State radio-podcast (paid, https://www.flowstate.fm/). | | |
| ▲ | GaProgMan a day ago | parent [-] | | I would always recommend KEXP. They have a really varied set of shows and setlists, don't seem to be swayed by "we must play the top 40", genuinely care about music, and are super nice if you head into the building in Seattle (which has a public access space, coffee shop, bathrooms, and a SubPop store). I've had three tours around the place just by telling the folks there that Im there from out of town. To be fair, I might have gotten the tours because I came all the way over from England the times, but it's my favourite place to hang out when I'm in Seattle. Also Ken is the nicest guy ever, and he introduced me to Larry Mizzel Jr while he was broadcasting live. Get the app, or use the player on their website, and hive then a try for an hour or do. The app has the ability to "heart" a track while it's playing live, which helps with discovery. |
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| ▲ | frogulis a day ago | parent | prev | next [-] | | RRR and PBS in Melbourne both stream online and are both fantastic for music discovery. Go the former if you lean indie and the latter if you lean international. | |
| ▲ | keyringlight a day ago | parent | prev [-] | | Internet radio is still going strong: https://www.radio-browser.info/ | | |
| ▲ | l72 16 hours ago | parent | next [-] | | Wow this is amazing. I can't believe shoutcast still exists too!! I have fond memories of hosting a shoutcast stream at very low bandwidth over dialup! There seems to be a few decent apps in F-droid and lots of stations with no ads and very specific genres like just depressive black metal! | |
| ▲ | mrguyorama 13 hours ago | parent | prev [-] | | Technobase.fm was my gateway drug to EDM when all I otherwise had access to was rock and roll and country. There used to be Neradio as well, but they died like a decade ago. |
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| ▲ | msmagh a day ago | parent | prev | next [-] | | using nts.live and and fip radio -> https://www.radiofrance.fr/fip at the moment for same purpose. Radio France allows to save liked track names in profile to look up later. | | |
| ▲ | lolive a day ago | parent [-] | | In addition to those two bangers, BBC6 and RNE also have shows to discover new musics.
PS: RadioParadise is also a safe place for good music. |
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| ▲ | ivh a day ago | parent | prev | next [-] | | I use https://radioparadise.com for this, since more than 20 years. | |
| ▲ | cmoski a day ago | parent | prev | next [-] | | Hype machine used to be so good for this. I haven't used it for a long time but it looks like it is still going in some fashion. | | |
| ▲ | gnarlynarwhal42 a day ago | parent [-] | | I used to use hypem soo much during the music blog days and had a subscription etc but it seemed to stop working or something so after a while I stopped using it. I will have to check it out again |
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| ▲ | twilo 19 hours ago | parent | prev | next [-] | | There is nothing better plexamp but unfortunately after plex raised their prices it might not be worth it for most | |
| ▲ | thesuitonym 18 hours ago | parent | prev | next [-] | | > its almost impossible to find new music otherwise I don't know where this opinion came from (Probably Spotify's PR department) but it's just so weird to me. Do you think people didn't find new music before streaming? It's not impossible, you just have to talk to people. | |
| ▲ | kachnuv_ocasek a day ago | parent | prev | next [-] | | I just listen to NTS most of the time. | | |
| ▲ | SSLy a day ago | parent [-] | | nts is all fire until a dj plays mp3 bitcrunched track that just hurts your ears |
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| ▲ | hyperadvanced a day ago | parent | prev | next [-] | | Call me a boomer but I’ve had a ton of fun with XM radio. I can find new music on Bandcamp but nothing compares to hearing some classic from the 80’s that you would have never thought to put on when you’re driving home after work on a Friday. | |
| ▲ | hillbillydilly a day ago | parent | prev [-] | | I don't know about you but spotify discovery feels like the least organic discovery possible. Its so homogeneous and predictable and corporate slop adjacent it makes me cringe just thinking about it. | | |
| ▲ | refactor_master a day ago | parent [-] | | I've discovered so many great artists through Spotify, and been to many of their shows (which Spotify also helps surface with their "Live Events" feature). I regularly get artists with less than 100k listeners in my Discover Weekly, which I then look up, and find that they did a concert on KEXP, and the comments all proclaiming "I knew good music wasn't dead!". So I can say for sure that I don't share the slop sentiment. Sure, there's some generic filler every now and then, but any non-cohesive mix, as opposed to a carefully curated album is going to have songs that naturally become "fillers". Just now, I discovered that Spotify snuck in "The Juan Maclean - Running Back To You (2014)", which is a cover of "Brian Bennet - Solstice (1978)". Neither songs are completely unknown, but they're also not exactly Bruno Mars. I don't know if this is pure luck or algorithmic rhythm analysis, but for me it's working. |
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| ▲ | pbasista a day ago | parent | prev | next [-] |
| > Spotify is in the process of killing the librespot project How could they possibly do that? They cannot prevent people or AI from reverse engineering their APIs. |
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| ▲ | laddershoe 17 hours ago | parent | next [-] | | You're right, they can't prevent that, but they can change their APIs in breaking ways enough to make librespot unreliable, to the point it's just not worth it. I assume that for a long time, Spotify was content to ignore projects like librespot... they didn't help those projects, but didn't harm them either, and generally to keep things stable enough that a project based on librespot basically stayed working, which is why you saw so many OSS tools that used it behind the scenes. It does seem like that balance shifted over the last year, and now librespot is constantly breaking in new and mysterious ways. Some accounts work, others don't. Some tracks play, others don't. The devs did a great job fixing that stuff, but it's a game of whack-a-mole, and Spotify seems to have really upped the frequency of how often they break things. And that's for the lossy decoding, which is functionality that used to be pretty stable. Spotify reached out and (I assume) made some threats that explicitly shut down their work around lossless audio [1]. FYI -- I'm not associated with the librespot project, but I was actively working on a project that relied on it. Eventually I gave up in favor of self hosting, because I want my music to not break all the time. Shame, because I used to like Spotify a lot and now I'm actively looking to move away from it. That's one premium family plan subscription they're gonna lose! I'm sure they'll feel the sting. [1] https://github.com/librespot-org/librespot/issues/1583#issue... | |
| ▲ | TingPing a day ago | parent | prev | next [-] | | Depends on how much they care. They can take down repos containing any keys, or use heuristics to block clients. | |
| ▲ | hahn-kev a day ago | parent | prev | next [-] | | Technically no, but they can just ban you. It would not be impossible to detect. | |
| ▲ | egeozcan a day ago | parent | prev | next [-] | | Anthropic can prevent people from using their models with the subscription plan outside Claude Code, why couldn't Spotify? | | |
| ▲ | sbinder a day ago | parent [-] | | Because millions of Spotify-compatible speakers are sold with firmware that will never be upgraded, so they can't ever change the Spotify connect protocol without breaking those devices. | | |
| ▲ | epihelix a day ago | parent [-] | | ... and no company ever broke backwards-compatible support. | | |
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| ▲ | baggachipz 19 hours ago | parent | prev [-] | | DMCA has entered the chat. |
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| ▲ | devindotcom a day ago | parent | prev | next [-] |
| I'm glad they're doing well but I would guess only a tiny fraction of the people who use Spotify would be capable of setting up Navidrome. I tried and went back to Plex. I wish it were otherwise but if something takes more than a few clicks to go from zero to music that leaves 95% of users out! I hope these projects get more accessible though. |
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| ▲ | nickysielicki a day ago | parent | prev | next [-] |
| Tools for piracy are much better today than they were back in the Napster or grooveshark days. It’s actually kind of shocking to me that we haven’t had a popcorntime moment for music again. Nothing technical is preventing the creation of a perfect decentralized anonymous p2p FLAC streaming platform with plausible deniability. |
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| ▲ | paweladamczuk a day ago | parent | next [-] | | How would the plausible deniability piece work? If you stream some bytes to someone else, you can't deny doing it. Unless you imagine this working over Tor, idk what the performance of Tor is these days but I never thought it could support such an application. | | |
| ▲ | nickysielicki a day ago | parent [-] | | Music is relatively small. Tor is totally capable of hosting zlibrary without bandwidth restrictions getting in the way. By plausible deniability I simply meant adopting a similar approach that Stremio has, to keep it on the good side of App Store approval processes. The app itself only allows for creative commons content by default, but with the right incantations it can host anything. | | |
| ▲ | joshschreuder a day ago | parent [-] | | Stremio and other apps like Fusion have gone up and been (reasonably quickly) taken down off the App Store though. Not really "on the good side" when your main distribution method is "add this app to your account within the first 1-2 weeks of it being in the App Store or never again", or sideloading. |
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| ▲ | Gander5739 a day ago | parent | prev [-] | | Have you heard of Soulseek? It's an active p2p music sharing platform. | | |
| ▲ | lukeasch21 19 hours ago | parent [-] | | To those of you who might get any ideas from this comment, Soulseek already has a growing problem of people vibe coding "free Spotify" apps that end up hammering a few accounts without giving anything back to the community by hosting. The solution seems to be some combination of automated hosting checks and captchas via PM, which are tiresome to maintain and might just drive more people off from hosting altogether. |
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| ▲ | kombine a day ago | parent | prev | next [-] |
| I've also canceled my Spotify sub three weeks ago and migrated to Navidrome. I'm still not quite satisfied with the available clients, I'm using Feishin. Fastpotift looks like a nice candidate to extend to support Navidrome. |
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| ▲ | jarym a day ago | parent | prev | next [-] |
| > I think the golden age of music streaming is coming to an end There was a world before Spotify. Though the music labels didn’t much like that world we can easily go back to it. |
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| ▲ | selcuka a day ago | parent [-] | | > There was a world before Spotify There was, and it was definitely not "the golden age of music streaming". |
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| ▲ | Shorel a day ago | parent | prev | next [-] |
| I feel I am in the golden age of music streaming right now. Just use Deezer instead of Spotify. Perfect quality and it great selection. |
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| ▲ | draven 19 hours ago | parent | next [-] | | I use Deezer (in a browser tab, and on my iphone.) It's good, but far from great. If several artists / bands share the same name, there will be one artist page with all of the artists/bands releases.
The queue management sucks, I can add stuff to the queue, move / remove individual entries. That's it. If I added an album to the queue and want to remove it, I have to click a little cross one time for each track of the album.
Notifications about new releases: great. Except the UI is a tiny dropdown, and hovering over an item removes the little marker signaling it's a new one. It's really difficult to catch up when there are more than 5 new entries.
etc. | |
| ▲ | walthamstow 18 hours ago | parent | prev | next [-] | | I pay for Deezer but I've never used the app. I download the music I want in FLAC using deemix. | | |
| ▲ | Shorel 18 hours ago | parent [-] | | Hey, don't spoil the party. I knew that. Many others also. Now the dzr developers will break the functionality. On purpose. I used to use Tidal, until they patched something, and now FLAC is impossible to obtain from Tidal. Hopefully it still works tomorrow, sheesh. | | |
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| ▲ | BoingBoomTschak 20 hours ago | parent | prev [-] | | I have a free Deezer account from my family. Shit is extremely barren. Some examples: 1. (already posted on HN) Wanted to try Midori's early stuff, but no "1st" EP nor "2nd" LP. Not on Spotify nor Apple Music either. Only yesterday: 2. Looking at Bleach (the Japanese hardcore punk/noise rock band): nothing and they aren't extremely obscure or anything (https://rateyourmusic.com/artist/bleach-4). They're on Spotify (https://open.spotify.com/artist/5gRsPZZNgrkagQnDlyFZUC) but missing two LPs; on Apple Music too (https://music.apple.com/us/artist/bleach/74570682) and one more LP available. 3. Okay, let's try Meat Puppets' lauded second LP from my backlog... artist is there, but four first LPs aren't. On Spotify and Apple Music. 4. For fun, let's try to find that very obscure kote kei demo, (螺旋 (Rasen) - Hysterical Noi「z」e / Like「M」(1997)). Nothing, of course, but well, I can't even find it on private trackers or SoulSeek (got some mystery mp3s "somewhere"). So, if I were to stoop down to streaming, looks like Spotify/Apple are less worse here. | | |
| ▲ | Shorel 17 hours ago | parent [-] | | This is actually informative, thanks. In my case, some music I want is unavailable, some releases from Discos Fuentes of Salsa Brava from the 1970s. But, in this case, they are also unavailable from Tidal, Spotify, etc... |
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| ▲ | scrollop a day ago | parent | prev | next [-] |
| What do you use to stream your local content? Using plex at the moment. |
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| ▲ | colordrops a day ago | parent | prev | next [-] |
| Why are they killing librespot? |
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| ▲ | HaloZero a day ago | parent [-] | | Probably for the same reason Twitter killed their API, more control over the experience and to serve ads/cross-promote. More cross-promote for Spotify. |
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| ▲ | jorisw a day ago | parent | prev | next [-] |
| > Spotify is in the process of killing the librespot project Source? |
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| ▲ | righthand a day ago | parent | prev | next [-] |
| Spoiler: Spotify has always been terrible. The golden age of music streaming was Zune pass where you could stream and download 10 songs/mo. And arguably Pandora always had a better radio algorithm than Spotify. |
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| ▲ | pjerem a day ago | parent | next [-] | | The first Spotify client, the one in Qt was actually really good. Things started going downhill slowly when they integrated Facebook then very fast when they threw everything through the window to rewrite everything in electron. | | | |
| ▲ | szszrk a day ago | parent | prev [-] | | > Spotify has always been terrible. It wasn't, really. At least not completely. I fully agree on the algorithm - I miss times of scrobbling to Last.fm, which was much better at this. (Spotify always supported scrobbling to Last.fm from their client, surprisingly). Spotify used to be snappy and worked really well on Linux. I even used it for local libraries, as it was one of the few options that didn't crash on mine. It was at the beautiful time when we realized web apps can have local storage, Google released that experiment called Chrome to "show public how modern browser can evolve and inspire other browser makers how to progress". We know it ended up in "extinguish the market with it", unfortunately. But Spotify chose native app approach - they distributed it as packages. Deezer on the other hand, back then (I don't know now) had just native web app that could pull music locally. I think it was an extension of Chrome (?). It also worked perfectly fine on Linux, almost two decades ago. We had a lot of decent options back then. | | |
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| ▲ | wahnfrieden a day ago | parent | prev | next [-] |
| CIUT has some great shows and most are available online. University of Toronto. |
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| ▲ | protocolture a day ago | parent | prev | next [-] |
| >I think the golden age of music streaming is coming to an end. Already ended for me. They killed the plan I was on, and then started sending me begging emails to sign up for a new, more expensive one. But once I experienced their platform with ads, I just stopped using it entirely. |
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| ▲ | echelon a day ago | parent | prev [-] |
| > I think the golden age of music streaming is coming to an end. It's just getting started. We're going to vibe code the entire enshittified internet to be ours once again. The dream of the 90's and 00's is alive again. The indie web is going to become unstoppable. We can build anything of size and scale with the limited spare energy we have now. Every product will be reborn without big tech tendrils. |
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| ▲ | nalekberov a day ago | parent [-] | | > We're going to vibe code the entire enshittified internet to be ours once again. It’s such a wishful thinking, but no it doesn’t and won’t work this way. Code != useful product. Plus today’s web is all about fabricated content, AI bots, cloudflare challenge walls and all other annoying stuff. The very idea of being able to create something in seconds is already killing internet. | | |
| ▲ | mixedCase a day ago | parent | next [-] | | Garbage being created at unprecedented rates does not diminish the fact that LLMs are acting as a positive multiplier for useful tools; this very item being one. No one in all these years had gone through the effort of replicating the Spotify client with a snappy fast interface for a reason. Everything had been an integration into already existing software, or simpler interfaces, because the effort was not worth it. The equation has changed. | |
| ▲ | flerp a day ago | parent | prev | next [-] | | who said anything about internet | |
| ▲ | echelon a day ago | parent | prev [-] | | You can look at the glass half full all you want, my glass is overflowing. This is the best year in all of my 20 years in tech. I'm creating so much stuff and it's all I've ever wanted. This is the dream of the 2000's, and big tech can't stop us anymore. I think I'm going to write my own music player soon that behaves exactly like I want it to. Maybe this weekend. Or maybe right after my home automation project. But I can probably squeeze them both in. It's like Christmas every day now. | | |
| ▲ | nalekberov a day ago | parent [-] | | Buddy, it’s the same big tech gave you this opportunity. You are creating so much stuff, but most of them are useless garbage that no one cares about. | | |
| ▲ | echelon a day ago | parent [-] | | > You are creating so much stuff, but most of them are useless garbage that no one cares about. Are you so sure of that? One of my projects is at $5M ARR in just six months. I passed $400k in sales this month. It's an open source project. I'm teaching my wife to code and we're going to make a video game together. Surely you can see the value in that bonding experience? She never would have been interested prior to Claude Code. I've been writing my own SRS software for drilling typing in Japanese. It's pretty fantastic. Nothing like that existed before I made it. So many needs that went unmet are just being filled. That's just top of mind. I've been doing a ton. Nobody likes to tag music the way I like to (multiple scalar quantified dimensions with clustering), so there's literally no music player on the planet in the shape that I want. If I'd wanted to build that before, I'd have to spend opportunity cost over several weekends to start building, plus the ongoing burden of maintenance. That's likely a few months burnt plus fixing things when API integrations break down. Now it's a few hours plus a bug fix here and there. This is 3D printing for software. I don't get the negativity. This is all so magical. | | |
| ▲ | Shorel a day ago | parent | next [-] | | I am very interested in your projects. Particularly the music player. Tagging for Latin America music is basically a cluster fuck of misleading misunderstandings, there's not a single salsa, merengue, son, charanga, or bachata song that has been correctly tagged in any streaming platform o scrobbler. It's like the people using the platforms are deaf to the rhythms. WTF is Latin Jazz doing in a salsa song? Exactly. | |
| ▲ | righthand a day ago | parent | prev | next [-] | | Links to your $5M ARR FOSS? And is that Annualized Run Rate or Annual Recurring Revenue? I'm guessing the former. > One of my projects is at $5M ARR in just six months. I passed $400k in sales this month. It's an open source project. If it's the former ARR, then how are you at $5M if it took you six months to get to $400k? $5M/12 = $416,666.6666666667 Which correct me if I'm misunderstanding (I do frequently) but that means your best average sales month was ~$400k, not 6 months to reach $400k. | | | |
| ▲ | nalekberov a day ago | parent | prev [-] | | Well, happy for ya. |
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