| ▲ | mrandish 2 days ago | ||||||||||||||||
> Isn't more creativity literally supposed to be the point of copyright? Yes. The original idea of copyright was to encourage more original creation AND later modification by granting exclusivity for a limited time in exchange for making it non-exclusive forever after. The Copyright Act of 1790 set the duration at 14 years, with a 14 year extension if the author was still living after the first 14. It's been extended 4 times and is now 70 years after the death of the author or 95 years after publication / 120 years after creation. I agree it's now a cruel mockery of the original intent. I have no hope this is fixable in any major way because it's now a fully bi-partisan issue. For decades now, RIAA/MPAA/SPA lobbyists have demonstrated absolute, long-term control of both major party's IP-related votes (despite what any politician claims while campaigning). There are only a handful of politicians for whom this is a hill they're willing to shed political capital on. And, in an honest moment, they'll admit the congressional process is stage managed such that regardless which party is in power at the moment (or even a super-majority), meaningfully restricting copyright closer to its original intent will always lose by at least one vote as long as the two-party duopoly controls the U.S government. Given that sad, disgusting reality, my post was trying to suggest a way to claw back the smallest, most limited win for non-commercial retro preservation that might: A.) Have the slightest chance of actually happening, and B.) Actually be the slightest bit better than the shit sandwich we have now. The ironic part of making any constructive suggestion to improve things even 1%, isn't that even THAT will almost certainly be killed by the RIAA/MPAA/SPA lobby anyway, it's that those who agree with me will bury it under objections it doesn't do enough (or doesn't abolish all IP rights). | |||||||||||||||||
| ▲ | userbinator 2 days ago | parent | next [-] | ||||||||||||||||
For decades now, RIAA/MPAA/SPA lobbyists They now have an opposition which might have the $$$ and will to fight against copyright: AI lobbyists. The world's richest man owns an AI company. As AI makes people realise just how much everything is a derivative work, and remixes of this nature become easier, I suspect the whole concept of IP is going to change dramatically and more people will question its necessity. or doesn't abolish all IP rights While that might not happen fully, AI might be the catalyst driving things in that direction. | |||||||||||||||||
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| ▲ | ndriscoll 2 days ago | parent | prev | next [-] | ||||||||||||||||
That's why we should simply normalize breaking the law. The war on use of our own cultural history is the same as the war on drugs: indefensible. Our predecessors have decided to make our government into a mockery of what it was supposed to be. So give their laws the respect they deserve: none. | |||||||||||||||||
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| ▲ | miki123211 a day ago | parent | prev [-] | ||||||||||||||||
I think this basically happened because the cost of creation (of what people want to consume, regardless of how you feel about it) went up significantly. When copyright was invented, it was mostly applied to books (not even book series / franchises), which don't cost that much to write, even if you take printing into account, and are usually written by a single author or a small team. Nowadays, copyright is applied to huge cinematic and video game universes, which cost hundreds of billions of dollars to make, and don't have a single "author" behind them. It's a very different law for a very different reality. When Moby Dick was written, Moby Dick was all it was. Nowadays, every new movie in a given universe is intended to bring profits on its own, but, by making that universe more popular, it increases future profits for other things in the franchise too. This is all reflected in the accounting, and requires copyright to be much longer than it once was. | |||||||||||||||||