| ▲ | moregrist 21 hours ago | |||||||
> everyone tries to copy the dark, morally compromised, postmodern, realpolitik tone. GoT was a late-comer to this. For me, William Gibson’s _Neuromancer_ (1984) was my first exposure to dark and morally-compromised Sci-Fi. I am sure it predates this in novels. _Neuromancer_ inspired a couple of movies in the 90s: The Net and Johnny Mneumonic come to mind. In US TV shows, I think Babylon 5 started the lean into the dark tone, and the reimagined Battlestar Galactica of the 2000s is a better example than GoT. | ||||||||
| ▲ | Sharlin 20 hours ago | parent | next [-] | |||||||
Like 24 and several other shows, Battlestar Galactica is very 9/11 coded. Everything took a turn towards Darker And Edgier in the aftermath. | ||||||||
| ||||||||
| ▲ | IAmBroom 3 hours ago | parent | prev [-] | |||||||
Babylon 5, with the white-knight Rangers, the captain who single-handedly saved humanity in the war with the Minbari AND THEN went on to build friendships with them, and the completely monotonic, both-sides-of-the-coin moralities of the Shadows and the Vorlons? Yes, the Narn and the Centauri were not so pure, but it reads as a pretty mythic Good V Evil world to me. | ||||||||