| ▲ | CitrusFruits an hour ago |
| Huge fan of Corridor. For those that don't have twenty minutes, one of the big takeaways is that a pretty high level VFX Supervisor critiques the keys at the end and basically has only nits that you need to zoom in on or have a trained eye to catch. Very legitimate feedback for a top tier professional context, but this can get you really far otherwise. |
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| ▲ | ipsum2 an hour ago | parent | next [-] |
| The issues aren't nits, they're really obvious, even after YouTube compression. |
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| ▲ | normalaccess 32 minutes ago | parent [-] | | Depends on the shot. Worlds better than version one of CorridorKey and they are using it internally on their own shows/content. These tools can only get better and better as time goes on. |
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| ▲ | emkoemko an hour ago | parent | prev [-] |
| did i watch the same video? it was no where near professional level, he even said, as a first pass pre vis for test shots it would be great |
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| ▲ | Dylan16807 an hour ago | parent | next [-] | | It doesn't output the final result that you'd expect from a human professional, but it does seem to be well into the professional level of tools. And for cheaper productions you could use it directly. | |
| ▲ | folkrav an hour ago | parent | prev [-] | | I mean, having done quite a bit of rotoscoping work in high school, if you can start from the output of this plugin and refine a little, you’re absolutely still saving hours. It was still most of the way there. | | |
| ▲ | normalaccess 27 minutes ago | parent [-] | | I think that's a big chunk that people are missing. This tool ac get you from zero to 80%-90% for most shots in a handful of seconds. |
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