> > Chinese consumers already had a high tolerance for slop and AI content fit naturally into this ecosystem without ever triggering an uncanny-valley reflex.

> yeah, this isn't due to some inherent acceptance of unreality, the massive volume of low-budget vertical 微短剧 (weiduanju) on Douyin and Kuaishou is driven by economic factors like digital ad-arbitrage [0]. most of these studios spend the vast majority of their budget on advertising with an incredibly small amount reserved for actual production and so you get AI filtered slop because it's cheaper than paying actors or make up artists or the whole supporting crew

> plus, the CAC cracks down a lot more on cruddy micro-dramas than US regulators do on low-quality TikTok/YShorts/IG Reels content (ie not at all, ever)

I'm not following your argument with this one. American production companies (which also use and are funded by advertising) also certainly care about their bottom line, and would cut the budget of "paying actors or make up artists or the whole supporting crew" as much as they could get away with. As you note, the reason they can't get away with cutting that stuff more isn't because they're regulated more in America. Rather, they can't cut more because viewers wouldn't tolerate it. What argument are you actually making about why Chinese companies getting away with the low-budget (low-quality) "slop" isn't the fault of the people tolerating it by watching?