This came up about a month ago when someone posted a link celebrating the title cards in Blade Runner. I responded then the same way I will respond now: it’s not just the amazing visuals, it’s also the amazing auditory experience, an additional creative dimension to transport the audience into a dystopian future.

The audio consists of two parts: the wonderful minimalist score by Vangelis, and sound effects that include distant booms, twinkling computer notes, dripping rain, strange languages, the whoosh of futuristic vehicles, even small details such as the crosswalk warning. Along with the set design, photography, special effects, acting, and other visual elements, the audio effectively immerses viewers into this incredible world and story.

Keep in mind that a typical viewer entering the local cineplex in 1982 to watch Blade Runner might have just stepped out of a Chevy Nova with an 8-track cassette player loaded with Juice Newton and Kool & The Gang. The visuals, the score, the sound effects, and the story would have been completely novel, and totally mind-blowing.

The highlight of my summer was Blade Runner Live At the Acropolis. The movie was shown in the ancient theater with a live orchestra performing Vangelis.

They may have a global tour of it in some places this fall.

The sound is probably why the visuals feel so much larger than the sets actually were

> someone posted a link celebrating the title cards in Blade Runner.

https://news.ycombinator.com/item?id=49189287

I stepped in to watch it in 1982. Didn't like it much. But rewatching it over the years, it grew on me.