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lxe an hour ago

If you haven't been following the current explosion of video gen models, including all the content you see on social media, you should pay attention.

I have no doubt in my mind that right now, in August of 2026, given a couple of weeks, an amateur with a high-end last-gen GPU or somebody with maybe a thousand bucks worth of AI credits, given a good amount of exploration/tinkering to fill the gaps that GenAI cannot currently do, (which is storyboarding, screenwriting, characters, and all the actual creative stuff), can crank out a high quality 1h+ feature film with only minor uncanny artifacts.

The reason why this isn't happening en masse right now is that most creatives are probably not focused on generating feature films, but rather content that's more digestible by social media users.

I would expect to start seeing a LOT of development in the upcoming months as some form of commodification where generated content can be both high quality and tailored to the user.

Planktonne an hour ago | parent | next [-]

> I have no doubt in my mind that right now [...] an amateur with a high-end last-gen GPU or somebody with maybe a thousand bucks worth of AI credits [...] can crank out a high quality 1h+ feature film with only minor uncanny artifacts.

Then why are there no examples of this? There aren't even examples of steps towards it--the half hour film that's nearly production quality, etc.

coffeefirst an hour ago | parent | next [-]

Or even 30 second ads that don’t look like shit.

The technology is interesting as an element within the wider process of special effects, animation, and video games. The idea that you’re actually making a movie with the current products—and I’m a former indie filmmaker, I’d have a blast with this if it were real—is a fantasy.

deltaqueue an hour ago | parent | prev | next [-]

There are. FX artists are already coming to grips with this: https://www.youtube.com/watch?v=BRESQ8NX-us

"yadda yadda, this is the worst it will ever be"

echelon 23 minutes ago | parent [-]

That's a Higgsfield submarine ad.

You should watch how Corridor Crew uses and evangelizes the tech, as it's far more honest:

https://www.youtube.com/watch?v=3Ploi723hg4

https://www.youtube.com/watch?v=iq5JaG53dho

https://www.youtube.com/watch?v=mUFlOynaUyk

https://www.youtube.com/watch?v=DSRrSO7QhXY

(These are all fascinating.)

Or an AI video tech reviewer like Theoretically Tim who covers the space as it evolves:

https://www.youtube.com/@TheoreticallyMedia

garethsprice 43 minutes ago | parent | prev | next [-]

Zack London's recent cyberpunk short "The Patchwright" (21 minutes)[1] feels like a glimpse into the AI feature film future. I like that rather than trying to replicate a traditional film it leans into the maximalist AI aesthetic.

1: https://www.youtube.com/watch?v=-Rzl7nUdEs4

randcraw 24 minutes ago | parent | prev | next [-]

"The Machine-Made Muse" https://www.youtube.com/watch?v=kM4xISBsUcY

Only Data looks and sounds fully 'natural' in this 10 minute clip of STTNG, but it nicely demonstrates the imminent plausibility of synthetic TV / film. And its affordability.

Feed it a handful of short stories and you can automate the creation of an entire TV series.

hparadiz 21 minutes ago | parent | prev | next [-]

Lots of examples posted on twitter. Much better visuals than the 90s and 2000s Trek and Stargate I regularly rewatch.

unit-vector an hour ago | parent | prev | next [-]

I think this comes pretty close https://higgsfield.ai/@higgsfield.studio/projects/oneiric

echelon 32 minutes ago | parent [-]

Higgsfield is a very unethical player in AI video.

There are hundreds of other companies to choose from: Runway, Magnific, OpenArt, ArtCraft, Krea, Martini, Flora ...

In startups, there are "mercenaries and missionaries". Higgsfield isn't either of these - they're a psychotic warlord. They're growth at all costs. They lie, cheat, steal, and even disparage artists and racial groups to get attention. And they use the worst dark patterns to get people to subscribe under confusing and dishonest terms.

https://www.forbes.com/sites/rashishrivastava/2026/02/11/rac...

https://tech.yahoo.com/ai/articles/higgsfields-latest-ai-too...

https://ade3.substack.com/p/this-isnt-how-i-expected-ai-to-s...

https://x.com/nickfloats/status/2018772595991015760

https://x.com/dustinhollywood/status/2019452051260874793

https://www.caimera.ai/blogs/higgsfield-ai-twitter-ban-case-...

https://www.reddit.com/r/generativeAI/comments/1rvaj50/my_ho...

https://www.youtube.com/watch?v=7Zj10P0Sa1k

Don't deal with Higgsfield.

echelon an hour ago | parent | prev [-]

Very few of these people are doing this on home rigs. That's way too slow for getting any real work done.

I work in this industry. I've dealt with major studios and up-and-coming studios quite extensively. (I was a filmmaker before AI, which helps a lot.)

If your exposure to AI video is ComfyUI, that's the consumer / hobbyist segment and you're missing out on where all the action is actually concentrating.

There are five-ish segments:

- Large studios. They're going slow, but they've already started integrating the tech. They won't tell people they're using it. They outsource to production houses that use it. Some of the biggest studios are moving slowly and want fully air-gapped support that runs on their existing cloud contracts. There are companies moving more intentionally, though. Netflix acquired Affleck's company for broad AI video controllability patents, for instance.

- Up-and-coming new media studios. Check out Gossip Goblin [1], [2], [3]. These folks are getting backing right now and they're growing huge followings from very unique visions and perspectives that feel somewhat counter to Hollywood. Most of the people here are highly professional, understand film language, and do a great job with storytelling. They typically leverage human voice actors and put weeks to months into making single videos.

- Marketing, B2B: people are already using this in ads. See Coca-Cola

- Consumer, UGC, non-creatives: this is the Sora crowd that only knows how to remix popular IP. Some of them graduate into new media exploration, but this follows the 1% rule. This is where most "slop" comes from.

- Porn creators: I've interviewed several folks that are making mid-six figures on "fan" platforms. It's a full-time job and some of them are scaling up to teams.

[1] Pomegranate, one of the best AI films: https://www.youtube.com/watch?v=fyZhC2TXgcs

[2] Theatrical release: https://variety.com/2026/film/news/gossip-goblin-ai-film-god...

[3] https://www.gossipgoblin.studio/

qsera 41 minutes ago | parent | next [-]

>Pomegranate, one of the best AI films

Editing appears very bad. Do Model have a problem with creating clips with precise cuts?

echelon 38 minutes ago | parent [-]

The editing is fast paced because video models prior to Seedance 2.5 do best on lengths under 10 seconds and decohere with intention frequently.

A typical "scene" might cost thousands of dollars in generation expenses depending on shot complexity. Directors will shoot the same shot dozens of times if they're not getting what they want, which in a way is not unlike physical production. That's not counting the experimental first passes.

qsera 23 minutes ago | parent [-]

It is not about being fast paced, but it seems that the cuts are made at the wrong positions.

sensanaty 19 minutes ago | parent | prev [-]

> Pomegranate, one of the best AI films

I sat through 10 minutes of this and it is some of the most mind-numbing garbage I've ever witnessed in my life. The technology is undoubtedly cool and it's pretty insane the progress we've made, but my god was it a slog to actually watch. Utterly soulless, incoherent, godawful pacing, grating dialogue. I could feel my brain actively rejecting this garbage a few minutes in, but I guess I'm just not the target audience.

bri3d an hour ago | parent | prev | next [-]

There’s a technology fundamental driving the short form aspect too, current video models are all trained on <500 frame sequences and struggle to generate long shots. There are a lot of attempts in the literature to improve cross-generation coherence but there needs to be an architectural breakthrough or significant scaling improvement before longer continuous shots are practical. So you’d be making a really ADD feature film at the moment.

an0malous an hour ago | parent | prev | next [-]

Then why isn’t there even one good, 2-minute video produced with AI yet? Can you share one?

A few months ago, Coca Cola couldn’t even make a good 1 minute commercial with millions of dollars and a whole team of video producers and editors. It ended up just being a montage of 5 second clips of animals smiling at Coca Cola trucks.

mrdootdoot an hour ago | parent | prev | next [-]

No job is forever. Tomorrow isn’t promised, and automation already did this—albeit more slowly—throughout the second half of the 20th century. Some people watched their jobs disappear and accepted that they’d become obsolete. Plenty of others pivoted.

The counterargument today is that we can pivot much faster. I’m typing this on a $2,000 Mac that can run Blender, render scenes, write code, edit video, and access tools that would have required a studio or a room full of specialized hardware not that long ago.

GenAI is empowering people to do things they simply could not do before. It’s here. The interesting question is: what are you going to do with it?

I think movie production may be approaching its YouTube moment. If the barriers to making something collapse, then make something worth watching. I’d rather see a small team with an actual idea than another $300 million spider man multiverse hot garbage sequel or guardians of the slop 600 assembled by committee, approved by a board after a slide deck, and polished into expensive slop.

jasonjayr an hour ago | parent [-]

The really interesting question is: What are we going to do when a technology so quickly and thoroughly displaces the need for human labor, in a society that constantly demands you trade your labor for the right to exist and participate in society?

qsera 38 minutes ago | parent [-]

I said in another comment. It is not the labor that is being destroyed. It is the destruction of art, of good taste, originality, beauty etc etc. Everything that humans derive joy from, that is being replaced by repetitions of past self. It is the revenge of the LCD of humanity. It will win, and will go insane shortly due lack of real happiness...It is not something that LLMs started or enabled, it is just a catalyst. Much like internet, but a lot worse...

unixhero an hour ago | parent | prev | next [-]

All I want is Seinfeld Forever

jafo1989 a few seconds ago | parent [-]

Cool. When it finally shows up, and someone says "No one asked for this..." I'll refer them to you.

an hour ago | parent | prev | next [-]
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croes 9 minutes ago | parent | prev | next [-]

Good luck finding the gems under all the rubish

add-sub-mul-div an hour ago | parent | prev [-]

If I'm understanding correctly. Replacing low budget advertising slop is the priority over replacing $100m movie budgets simply because they haven't gotten around to the latter yet. The capabilities are definitely there for the latter, just no one's bothering. Okay.

rienbdj 36 minutes ago | parent [-]

It’s harder and less lucrative than short social media spots.