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alexjplant an hour ago

Fellow readers whose interests are piqued by this comment: this is apparently true. This book [1] talks about it in greater depth. From Wikipedia:

> [The author] describes the growth of the Abstract Expressionist art movement, and its frequent showcasing in New York's Museum of Modern Art (MOMA), as largely a CIA-sponsored operation [...] Since many abstract expressionist painters and sculptors were anarchistic, and strongly anti-CIA, a "long leash" policy was adopted that "kept CIA operatives at a remove of two or three degrees from the artists and art exhibitions—sometimes even more—so that they could not be linked to any furtive governmental bankrolling."

[1] https://en.wikipedia.org/wiki/Who_Paid_the_Piper%3F

faidit 4 minutes ago | parent | next [-]

This narrative has been popularized all over social media for the last couple years.

Obviously it's true and not a surprise to anyone familiar with the history. But no one is asking more complex questions: why is it being pushed by algorithms and networks ultimately controlled by the same powers? Is it a "limited hangout"? Well poisoning? What does the "CIA" gain from revealing a sliver of its past activities and discrediting (both directly and by insinuation) a large number of radical artists and thinkers?

sourdecor 14 minutes ago | parent | prev [-]

That was because Russia was creating actual art and laughing at the media America produced.

PearlRiver 7 minutes ago | parent [-]

The USSR was selling art to fund the KGB. Stone glass houses.