| ▲ | noduerme 2 hours ago | |
ahhh, fasttracker. my best friend made albums and albums of "dope industrial" with that in the 90s... I had the cassette tapes in my car. I watched him on it a lot. He was the only one of us who didn't play guitar or bass or keyboards (he was a drummer). I'd say that was a very sophisticated piece of software, small on size though it was, not comparable to a demoscene demo in any way. But iirc the keyboard shortcuts were as complicated as vim. | ||
| ▲ | wartywhoa23 40 minutes ago | parent | next [-] | |
For me, Fasttracker II still remains the most nostalgic, intuitive, immersive DAW ever made. Aslo, one of the best thought-out pieces of software in general. I wrote so many tracks on it, some of which played on local FM radio and in clubs. Fondest memories circa 1996-2001. Only many years later, Ableton managed to create another DAW that got close to FT in spirit, which is don't impede the creative flow. A DAW written by actual musicians for musicians (hail Robert Henke aka Monolake!). And recently, Bitwig pulled another stunt and married Ableton Live's simplicity with feature richness more typical of a heavyweight DAW league, without all the inherent clutter. P.S. This seemingly turned into some kind of advertisement, but it's just gratitude from a devoted user :) | ||
| ▲ | bitwize an hour ago | parent | prev [-] | |
Fasttracker was coded by demoscene people though, namely members of the group Triton (later Starbreeze Studios). It has a couple of demoeffects in its about screen, and even a version of Nibbles (qbasic snake game) you can play. And if you think Fasttracker is complicated, wait till you try Protracker... | ||