| ▲ | charcircuit 2 hours ago | ||||||||||||||||||||||||||||
Any amount of joy you lost is a fraction of joy lost from people blatantly stealing the fruits of other people's's labor. Communities do not have to be parasites to exist. Similar amounts of joy could be created over a different interest that didn't require stealing and hurting others. | |||||||||||||||||||||||||||||
| ▲ | keiferski 18 minutes ago | parent | next [-] | ||||||||||||||||||||||||||||
It’s always really bizarre to me how pirates justify stealing creative works as some sort of culture. The record companies were/are awful, for sure, but the solution is to support musicians directly then, not come up with elaborate justifications for your theft. I imagine most of this is done by people with secure professions that don’t worry about getting paid for their work. When it comes to music and other art forms, the primary concern should be the creator. Not people that want to get stuff for free. And I can assure you: musicians would like to get paid for their work, and they don’t think it’s cool or fun that people just steal their stuff. The occasional super-successful artist being pro-piracy is not representative. | |||||||||||||||||||||||||||||
| ▲ | sandcat_ 2 hours ago | parent | prev | next [-] | ||||||||||||||||||||||||||||
Hey now, that’s a bit of a harsh way to talk about record labels. Sure most of the money you pay goes to the top performers, no matter what you actually listen to, but that doesn’t make them parasites. Executives have to eat too. | |||||||||||||||||||||||||||||
| ▲ | BLKNSLVR 2 hours ago | parent | prev | next [-] | ||||||||||||||||||||||||||||
The article touches on the topic and mentions Nine Inch Nails' and Radiohead's 'free' album releases. There's also the possibility/likelihood (I can't recall the results of the research) that increasing exposure, via piracy, is actually better for the artist long term. And then, as others have already responded, the worst offenders are, generally, the industry insiders themselves. Reports of the death of music are greatly exaggerated. Reports of the death of the music industry are widely looked forward to. I pirated plenty as a kid with no money, it was cheap and it was easy - does anyone here remember high-speed dubbing? I also recorded a _lot_ of music off the radio. On the rare occasion I bough an album I made sure it was worth being the only thing I listen to for weeks - and the only way to know that is to have prior knowledge. I buy plenty as an adult with a music budget. I believe that's how it should be. | |||||||||||||||||||||||||||||
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| ▲ | ktallett 2 hours ago | parent | prev | next [-] | ||||||||||||||||||||||||||||
Is it stealing if when I buy digital I don't own it? | |||||||||||||||||||||||||||||
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| ▲ | b345 2 hours ago | parent | prev | next [-] | ||||||||||||||||||||||||||||
Funny because that is exactly how capitalism works. | |||||||||||||||||||||||||||||
| ▲ | lubujackson 2 hours ago | parent | prev [-] | ||||||||||||||||||||||||||||
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