| ▲ | Slow_Hand a day ago | |
As a career musician with a heavy interest in electronic music and DSP, hearing the author work through designing the algorithm is interesting to me. They make several good points along the way of how a band relates to the implicit tempo of a performance when the drummer goes "off road" with a flashy fill or a hemiola. I'd never heard it articulated in this way, but it makes sense. For that reason I like that the author is talking through their trial-and-error process in this way. I understand the desire to have well-crafted writing, but this example shows sufficient care (for me) and doesn't throw up any red flags and it relates it's content well. It's not Nabokov, you know? I also say this as someone who has never considered LLM-augmented writing, because I enjoy the process of articulating my thoughts and the creativity that comes with it. | ||