> Even cinema is dying and nobody seems to care that much.

Cinema is dying from mostly self-inflicted wounds though. They keep making movies (or re-making movies) with bad writing, bad stories, and unrealistic character development arcs that not many people want to watch.

Good movies have been rewarded in theatres. Top Gun: Maverick, Obsession, Project Hail Mary, etc. all had great box office sales when other movies around them flopped.

'Movies' at Blockbuster level pivoted to ersatz carnival rides post-'Pirates of the Caribbean', focusing on safe IPs and simple plots designed to aid comprehension of the major story beats in the SEA markets without the need to resort to subtitles or dubbing.

'True' Cinema has been going from strength to strength the last decade, with even Netflix putting out Fincher spectacles like 'Mank' on streaming, and A24 bringing introducing a new audience to phenomenal Korean Cinema like 'Parasite' and 'Minari'.

Even in the traditional studio system we have been spoilt in recent years by a succession of Palm D'Or and Oscar winners like Anatomy of a Fall, Triangle of Sadness, Zone of Interest, The Brutalist, Oppenheimer and Killers of the Flower Moon.

    Top Gun: Maverick, Obsession, Project Hail Mary

Cinema traditionally has meant movies like, À bout de souffle and Citizen Kane.

Even accepting that Project Hail Mary, Obsession, and Top Gun are "good movies" (which I completely reject), you're cherry-picking. The top three films of the year are Super Mario Galaxy, Michael, and The Devil Wears Prada 2.