I kinda like the music comparison because it's so rich with sociological analogues. You have the gear snobs who can't stop buying more premium gear but never sit down and write anything. The kids who pick up a copy of Garageband and put together hits with their natural talent, sense of taste and and interesting story to tell. Soundtrack and videogame composers who have hybrid instincts of session musicians and architects. Avant garde musicians who you're never fully sure of whether they're playing a joke you're in on (or on you) and that's kinda the point. Music critics who have never played or written music a day in their life and yet end up becoming arbiters (or more accurately, delegates) of taste. Fandom stans and ringleaders who absorb it as an identity and run extraordinarily well organized cults with an iron fist.

You can probably find correlates here with coding and AI any which way you look. Coding is so rich that you can use it to do artistic, creative pursuits because it really is an interactive and world building medium if you want it to be. And it can also be a practical, reliable machine that helps you get useful business objectives done. And anywhere in between!

Perhaps the author is indexing on the former because there's an intrinsic value to that, and intrinsic values seem to be quite drowned out by the noise of extrinsic values in this media supercycle.

But I don't think it'll be that way forever. Whenever things get too noisy, people have a way of seeking peace and quiet.