| ▲ | jna_sh 10 hours ago | ||||||||||||||||||||||||||||||||||||||||||||||
I feel like prior to GenAI, you’d have had to reckon with the true originality of your idea in some form as you did the research. Creatives having to confront their own unoriginality is such a thing it itself is reflected in countless pieces of media. So it’s interesting to me that the creator here didn’t encounter the tens of physically published versions, or the hundreds of them shipped to digital app stores, or all the codebases on GitHub, in the course of making this. I’m sure they would have done naturally prior to GenAI. Is that good or bad? I don’t know! But it’s interesting to me. | |||||||||||||||||||||||||||||||||||||||||||||||
| ▲ | NitpickLawyer 9 hours ago | parent | next [-] | ||||||||||||||||||||||||||||||||||||||||||||||
> the creator here didn’t encounter the tens of physically published versions The simplest counterargument: since there are already tens of similar games out there, why didn't the previous authors, supposedly grass-fed genuine checkmark blood-through-their-veins humans didn't notice the other 9-8-7-6-5... games, and still released their own version? Maybe because it was still that they wanted the game out there? Maybe because originality really isn't that common? Maybe because each individual had their own idea and spin to it? Maybe because they wanted the game out as they made it? Same for this author. How they made the game is irrelevant, and nitpicking the "originality" or anything else is silly. Something like this wasn't possible 3 years ago. Now it's possible. Deal with it, and stop trying to find ways to diminish it. It's a huge accomplishment any way you cut it. | |||||||||||||||||||||||||||||||||||||||||||||||
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| ▲ | 8 hours ago | parent | prev | next [-] | ||||||||||||||||||||||||||||||||||||||||||||||
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| ▲ | dijksterhuis 8 hours ago | parent | prev [-] | ||||||||||||||||||||||||||||||||||||||||||||||
i had a boss. before he was my boss, he was a friend. he took me under his wing, musically speaking. he showed me new music. told me what gear he was interested in. we went to some gigs. he used to say “the best artists have the biggest record collections”. they’ve done their research. they developed taste. they’ve been in that battle with the unoriginality demon. they’re still in that battle with the unoriginality demon. they’re always searching for new. for unexplored. for different. they’ve also figured out what “good artists copy, great artists steal” means. we take small bits. small ideas. small riffs. we turn them into our own. then we repeat that N times to create “a song”. we borrow. we revere. we obsess. turning lots of little differences into a completely new work. yes it’s all derivative. but derivative originality takes a lot of fuckin’ effort to get right. to be tasteful. this thing isn’t artistic stealing, it’s the most low-effort stealing possible. creativity, originality and more importantly taste appear nowhere here. so, is it bad? depends on your perspective on creative endeavours being worthwhile and whether you have taste or not i guess. edit - personally i don’t think you can polish a turd. even if you rewrite it, the memory lingers. | |||||||||||||||||||||||||||||||||||||||||||||||