Interesting to see this on HN, I'd be curious to know OP's rationale, but I'm glad they posted it.

Film criticism itself has suffered greatly in recent memory; at the end of the day, whatever trouble a critic might have gone to to watch, process, and articulate their thoughts on a given film is now reduced almost entirely to a number on Rotten Tomatoes.

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Slow_Hand 2 hours ago | parent | next [-]

Good movie criticism is alive and well. You simply need to expand your vision beyond anyone who relies on Rotten Tomatoes or (probably) Letterbox. That's probably not it.

Youtube is a great place to start looking. It has a lot of trash, but there are some extraordinary essayists and writers giving robust and insightful looks into films new and old.

Off the top of my head:

1. House of Tabula - Essays on art and culture, with a heavy emphasis on film, old and new. https://www.youtube.com/@TheHouseofTabula/videos

2. Deep Dive - Lewis from House of Tabula doing 10-15 min reviews of recent theatrical releases: https://www.youtube.com/@DEEPDIVETHOT/videos

3. Spikima Movies https://www.youtube.com/@SpikimaMovies/videos

4. Thomas Flight https://www.youtube.com/@ThomasFlight/videos

These channels (expect for #2) all diverge from straightforward reviews, but what they give you are the tools to articulate what the film is doing, how it is doing it, and therefore equip you to become your own critic. Someone capable of thinking critically.

	▲	UncleOxidant 20 minutes ago \| parent \| next [-]
		I'll add Bright Wall/Dark Room: https://www.brightwalldarkroom.com/
	▲	AlexandrB 44 minutes ago \| parent \| prev [-]
		I think a bit problem with any kind of art criticism in 2026, especially on YouTube, is audience capture. It's rare to find analysis that examines a piece as it is without dipping into some kind of political angle. A few channels try, but you get more clicks by choosing a side in the culture war and catering to those that agree with you. Once you go down this road, woe be to you if you stray from the path - your audience will turn on you in an instant. I think this effect is worse on YouTube because YouTube creators live or die by the algorithm. There's no organization backstopping them if they publish something their audience doesn't like.

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F7F7F7 2 hours ago | parent | prev | next [-]

Not sure what OPs reasoning was but you have to wonder if this far-more-human type of film criticism will see a revival in the age of AI assisted writing.

I always like to remind people that before talk heads were battling it out on cable news or ESPN we had Siskel and Ebert shaking things up. They made me realize that movies could carry subtext, nuance and meaning. They made reading ABOUT movies more interesting.

	▲	TFNA 2 hours ago \| parent [-]
		Siskel and Ebert the TV show was a good example of the dumbing down of criticism; that trend started already before the internet age. The twentieth-century American television medium simply didn't allow much informational depth and nuance. (Edit: after I posted this comment, I saw that the show's Wikipedia article notes that it attracted such criticsm, so it's not just my own opinion.) Ebert's newspaper criticism was rather better.

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garrickvanburen 2 hours ago | parent | prev | next [-]

I think Dan Olson and Folding Ideas is doing a fantastic job of bringing thoughtful criticism to all kinds of modern media, most recently Mr. Beast Games.

https://www.youtube.com/channel/UCyNtlmLB73-7gtlBz00XOQQ

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msla an hour ago | parent | prev [-]

The problem with "criticism" from the perspective of the average person is that "Is this film worth my time and money" isn't really a question criticism answers. The linked article touches on this when it bemoans "the consumer guide approach" but until we firmly separate criticism from reviewing we're bound to keep going around and around on this.