Consider the field of comparative mythology described by Joseph Campbell in "The Hero with a Thousand Faces". [0] As a side quest, check out James Frazer's "The Golden Bough". [1]

On a more critical note: separating a story (diegesis) from the telling (narrative structure) is like reducing animals to skeletons, disregarding the sinews, fascia, nerves, flesh, and fluids that make up an animal.

For example, describing Alain Robbe-Grillet's "La Jalousie" as a story about a man who suspects his lover of adultery is reductive to the point of atrocity. That particular novel tells the story using pioneering metafictive techniques and reducing it to its narrative types would yield very little insight.

[0] https://en.wikipedia.org/wiki/The_Hero_with_a_Thousand_Faces

[1] https://en.wikipedia.org/wiki/The_Golden_Bough

The Campbell Structure and the Save the cat structure are the most used structures in hollywood. Audiences are also bored as heck :)

The Campbell structure is the Sa-dominant and is the linear ascent.

You shouldnt seperate a story from a structure at all. You should find the right bones for the story. Not suggesting otherwise in anyway.

PS: if by any chance, you come across the script for that film, do share. Would love to see what it says. Im curious myself now. If i had to guess, reading the synopsis of the film, i'd say : https://arc.quanten.co/archetype/anishchit