No.

Here's one interpretation though, for the discourse:

When given a task, some artists focused less on the objective and more on the process of observation. Observation of what, would be a logical next question. And I have to imagine and indulge in some projection here and guess that any of the artists may have been looking for more of a challenge, or more meaning. How to select some combination of objects, relative to the constraints of the circumstances for the task, paired with the skills they possess to produce the task at hand.

Given the proper acumen and a relatively subordinate task, I imagine some would tend towards Parkinson's law.

So following this, maybe problem finding could be seen as: how is this beautiful/aesthetically pleasing, or what do I really want to compose to fulfill this demand? What innate qualities do these things have which express some quality? Or maybe: how can I waste an hour of this man's time?

YMMV

> And I have to imagine and indulge in some projection here and guess that any of the artists may have been looking for more of a challenge, or more meaning

I think one reason it may be so difficult to express this concretely, is that artists are often looking for an ineffable quality.