| ▲ | ecshafer a day ago | ||||||||||||||||
> In this way, it feels a lot like modern movies: in a lot of cases, cinematography seems to be some sort of objective science which has mostly just improved. And nowadays even a fairly bad movie will have great cinematography. It's just that the writing / plot / acting / etc. are quite poor. I vehemently disagree with this. Cinematography has gotten substantially worse in the last 15 years or so. Your run of the mill direct to vhs type movie in the 90s had better cinematography than your massive block buster of today. Hollywood totally forgot how to do everything. Go compare a garbage movie like "The Parent Trap" with Marvel/Star Wars anything, and see how bad its gotten. | |||||||||||||||||
| ▲ | everdrive a day ago | parent [-] | ||||||||||||||||
There's a lot of room for nuance here and I'll bet we disagree less than it sounds. I would agree with you that blockbuster movies do cinematography badly. But take your random crappy low-budget horror movie, and compare the cinematography to an equivalent film from the 1970s. The difference is stark. Techniques such as Hitchcock's dolly zoom, or the "power" shots from Citizen Kane are well known and widely used. They're easy to reproduce, but take brilliance to initially envision. Combine this with some of the modern technology; drones, camera stabilizers, etc. and things get taken further Try looking at a car chase from your average 70s film: you'll get a very shaky shot because it's filmed from inside the car, and in most cases the footage will be sped up because it wasn't save enough to film the real event. You end up with something which is totally implausible. The same for flyover shots -- previously these would be done in a helicopter and you'd get an incredibly shaky distant shot, but now anyone with any budget can put an amazing drone shot in a film for no money whatsoever. | |||||||||||||||||
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