Just got an email this morning saying my monthly $3 donation went through, and this article reminded me how the internet archive is truly the internet’s library and very worthwhile to support

Before then heroine and fame took over Kurt

https://en.wikipedia.org/wiki/Aadam_Jacobs

He began to attend and record 15 concerts each month, and has said "It went pretty quickly from just being an occasional thing to something I did far too often."

So his average is every other day. Also, most concerts / shows have more than one act. I went to an MF DOOM show back in the day at a small club with FIVE opening acts, and then DOOM had THREE more openers in his set time. That's 9 total acts on one night. Even the sprawling wu-tang tour last year had run the jewels as an opener.

they may count the opening acts as separate concerts

Interesting! Cleaning up digitized recordings or starting from the tape source?

Also https://nindata.io/tours and will all be put up on GitHub soon including data

There are several Dinosaur Jr recordings, two from the late 80s / early 90s, of which this is the best one: https://archive.org/details/ajc02597_dinosaur-jr-1993-04-10 The other has the better set list (IMHO!) but unfortunately a very "thin" recording with only mids.

No Pixies, but The Amps have one appearance: https://archive.org/details/ajc02207_amps1995-10-31 The performance is ... "uneven"

And four stunning Guided by Voices sets, of which the best is https://archive.org/details/ajc00711_gbv-1999-12-10/GBV1999-...

It is an utterly amazing collection, although not the era I am the most familiar with. However, let me add a few as I love your initiative and went through them all and skimmed the ones below to get a sense of the quality.

Billy Bragg:

* https://archive.org/details/ajc02362_bbragg1986-12-04.ajcpro...

* https://archive.org/details/ajc02359_bbragg1988-05-06.ajcpro...

Not the cleanest vocals on either of the recordings, but the former is overall higher quality from what I could tell.

Boogie Down Productions:

* https://archive.org/details/ajc02338_bdp1988-05-18

Excellent recording and great live act, just a pity that it is rather short.

Mojo Nixon:

* https://archive.org/details/ajc02226_mojonixon-skidroper1987...

Another great live act and recording. I am sure Mojo would very much approve of this being shared as well.

Yes, in the old low bandwidth days i participated in some live concert snail-mail CD swap online mailing lists / forums

I don't know, I also feel like 'data hoarding' is something that's been getting more popular in recent years. Maybe because the ephemerality of the internet is starting to show.

Concerts usually have more than one act.

Sounds like they might have been working the gigs? Maybe a sounds engineer

I think the new model with music is they don't make a very serious attempt to keep a monopoly on the content. They only really care about a monopoly on convenience. If anyone would set up some convenient way to stream these concert recordings they would get sued to oblivion. But the recordings circulating as inconvenient downloads? Not a big target.

Everybody still cares, so you should get them while they last. Nobody who cares has noticed and maybe won't notice for a while, or it won't be in the budget to go after IA after just hitting them. The only protection these probably have is that they are recordings of real bands, and the bands that later became corporate darlings are in the minority - and labels like Touch & Go and other Midwest indies not only probably don't exist anymore and are not interested, but also don't control any of the publishing for the people who put out albums on their labels.

But the ones playing the music are all very old people now, and many of them have likely sold their publishing to the our blob overlords for a pittance. If massive multinational media corporations can make it difficult to figure out what they might have a claim to, it will end up easier to take the whole thing down. They attacked IA last time based on wax cylinders.

The reason orgs like the RIAA exist is to take PR hits for the industry; they will eventually demand they be taken down and probably make claims based on the length of time they were hosted. Get what you want while you can, although if you're a Millennial/Gen Z hipster you won't know any of it because it wasn't marketed to you (or anyone, it was just music, we enjoyed it.)

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edit: Looking through the list, I remembered how awful Chicago shows at the big clubs were, how Metro banned punk rock, and how I only ever went to those places to see touring bands that managed to get an opening spot for some A&R industry plant. Most of these are not good, and tons of them have all of their publishing owned by multinationals. It's the kind of selection you'd expect from somebody who thought that Bleach-era Nirvana was just alright and stalked Pavement.

Was happy to see a bunch of Fireside Bowl shows, but it looks like he dodged the good ones. This is almost pure "indy." I bet anybody could still find 100 that they'd like though so I don't want to seem too negative. This is mostly Gen X mainstream suburban hipster music.