I recently saw a preserved letterpress printing press in person and couldn't help but think of the parallels to the current shift in software engineering. The letterpress allowed for the mass production of printed copies, exchanging the intensive human labor of manual copying to letter setting on the printing press.

Yet what did not change in this process is that it only made the production of the text more efficient; the act of writing, constructing a compelling narrative plot, and telling a story were not changed by this revolution.

Bad writers are still bad writers, good writers still have a superior understanding of how to construct a plot. The technological ability to produce text faster never really changed what we consider "good" and "bad" in terms of written literature; it just allow more people to produce it.

It is hard to tell if large language models can ever reach a state where it will have "good taste" (I suspect not). It will always reflect the taste and skill of the operator to some extent. Just because it allows you to produce more code faster does not mean it allows you to create a better product or better code. You still need to have good taste to create the structure of the product or codebase; you still have to understand the limitations of one architectural decision over another when the output is operationalized and run in production.

The AI industry is a lot of hype right now because they need you to believe that this is no longer relevant. That Garry Tan producing 37,000 LoC/day somehow equates to producing value. That a swarm of agents can produce a useful browser or kernel compiler.

Yet if you just peek behind the curtains at the Claude Code repo and see the pile of unresolved issues, regressions, missing features, half-baked features, and so on -- it seems plainly obvious that there are limitations because if Anthropic, with functionally unlimited tokens with frontier models, cannot use them to triage and fix their own product.

AI and coding agents are like the printing press in some ways. Yes, it takes some costs out of a labor intensive production process, but that doesn't mean that what is produced is of any value if the creator on the other end doesn't understand the structure of the plot and the underlying mechanics (be it of storytelling or system architecture).