Important follow-up to my comment: as fewer people do X -- live music, medicine, education, you name it -- fewer talented people do it as well.

Fields need a large base of participants to produce great ones. This is exactly why software has been so extraordinary over the past 30 years: an unusual concentration of gifted minds across the entire humankind committed themselves to it.

In my view, Bach, Rachmaninoff, Cole Porter equivalents today probably aren't writing symphonies. They've decided to write code for a living. Which is why any Great American Songbook made today won't hold a candle next to one from 1950s.

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somerandomqaguy 17 hours ago | parent | next [-]

Disagree, we do have the Bach's and Rachmanioff's today: John Williams, Jerry Goldsmith, Bear McCreary, Yuki Kajiura, Hans Zimmer, and probably a slew I'm not even aware of today.

We're in the greatest era of symphonies IMO, it's just that they're hiding in surprising places; movies, TV shows, games, etc.

	▲	ludston 16 hours ago \| parent \| next [-]
		I don't think we can know whether or not this is the case in our own lifetimes, because we are so immersed in popular culture that we can't be objective about it. Enough of our historical great composers weren't venerated until after their deaths, and to describe composers as "hiding" within the most popular media of our era is a great disservice to the many composers that don't have the fame, connections and reputation to be hired to write for these. I would also point out that composing for a medium like a game or a movie places a great deal of constraints upon the composer, in terms of theme, cost of instrumentation, duration and most importantly: what is safe and palatable for an executive to approve of.
	▲	WalterBright 16 hours ago \| parent \| prev [-]
		The sound track to "Lord of the Rings" is one of my favorites.

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myrak 3 hours ago | parent | prev [-]

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