A mix of perspectives in here that feel inter-related. The maker movement state-side leaned more "fun or artsy" while the real maker movement you could argue was thriving in China. Another darker way of looking at it is: if the maker movement was really believed to be a way to bring manufacturing back, it was effectively cargo-culting that by focusing only on a narrow set of building blocks. Maybe it's similar to building your own PC from parts at Fry's back at the day: that felt good... and you did feel you were really making something. But you were really doing final assembly and abstracting out the complexity of building those building blocks that went into it.

Anyway I think we are seeing a scenius phase -- it's just happening everywhere all at once on a world stage. And it's exciting. As with any moment in time there's a ton of experimentation and a small number of break-out hits. Also the pace of change means there's less staying power for a break-out hit than there used to be.

But the quick break-out hit phenomenon is particularly applicable for things that are more about the attention economy and less about the boring hidden things that traditionally have been where the economy's silent toil is really centered.

All of this makes me feel the author is too close to the creative end-consumer layer e.g. "make something flashy and cool whether it's a 3d-printer in a 5th avenue dept. store window, or a new app front end" but perhaps less focused on the full depth of things that really exist around them.

This really resonates with me in that a lot of NYC's "tech" circa 2013 was 3d printing oriented, much more so than in Silicon Valley. And I wondered why? but then it was a reflection that tech in NYC then was more about marketing, story telling, and less about the depth...

Obviously you had the west coast makers, you had the burners, so I don't mean to conflate all these differnet things. But the idea that Maker Faires were really about bringing manufacturing back... I don't know I think it was more about the counterculture, about having fun. I think that's coming back to tech right now as well in a sense. Even if it's also got dystopian overtones

Appreciate this re: maker movement perhaps being too aesthetically oriented and hence missing out on perhaps the real scenius