| ▲ | jalev 2 hours ago | |
I went and looked at the Tiktoks. As far as I can see from the few videos I've watched it's not so much "criticism" as "plot overview, small background details, and what I liked about it". It's kind of weird it's being framed as a tiktok sensation when there's nothing to really differenciate him from other booktokers? Other than perhaps more subscribers than usual. Also, per the article: > Edwards champions BookTok and also defends it... Kind of interesting to note given his video saying he doesn't like booktok books[1]. I suppose he knows not to piss in the pond he drinks from. | ||
| ▲ | cdrini an hour ago | parent | next [-] | |
I've seen a few of his videos over the years and remembered them similarly to your description, but watching that video you linked to I think he does do a proper critique. Goes into what makes the writing weak, plot drag, links books to other books, and even has a deep understanding of an authors' body of works to be able to compare and provide insight. And in the beginning of the video he gives quite a lot of praise to BookTok, so I reckon the title is more tongue-in-cheek hyperbole, with a dash of clickbait! | ||
| ▲ | publicdebates 2 hours ago | parent | prev [-] | |
You misunderstand the nature of newspapers. Playing devil's advocate just a little here, I absolutely can see the financial benefit of an author taking a single epitome out of a group of near clones, even a random one among them at that, and placing him right on top of a pedestal positioned just before a podium. The more details the audience drowns in, no matter how truthful, the more you simply clutter your narrative with unfortunate facts and drown out the whole point. I'm not saying the author is lying, nor advocating it. But sometimes a slice of the truth is more useful than the whole pi of it in a given moment for a given story. | ||