> if you show them two colors and ask them if they are different, they will tell you no

The experiments I've seen seem to interrogate what the culture means by colour (versus shade, et cetera) more than what the person is seeing.

If you show me sky blue and Navy blue and ask me if they're the same colour, I'll say yes. If you ask someone in a different context if Russian violet and Midnight blue are the same colour, I could see them saying yes, too. That doesn't mean they literally can't see the difference. Just that their ontology maps the words blue and violet to sets of colours differently.

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wongarsu 2 hours ago | parent [-]

If you asked me if a fire engine and a ripe strawberry are the same color I would say yes. Obviously, they are both red. If you held them next to each other I would still be able to tell you they are obviously different shades of red. But in my head they are both mapped to the red "embedding". I imagine that's the exact same thing that happens to blue and green in cultures that don't have a word for green.

If on the other hand you work with colors a lot you develop a finer mapping. If your first instinct when asked for the name of that wall over there is to say it's sage instead of green, then you would never say that a strawberry and a fire engine have the same color. You might even question the validity of the question, since fire engines have all kinds of different colors (neon red being a trend lately)

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JumpCrisscross 2 hours ago | parent [-]

> in my head they are both mapped to the red "embedding"

Sure. That's the point. These studies are a study of language per se. Not how language influences perception to a meanigful degree. Sapir-Whorf is a cool hypothesis. But it isn't true for humans.

(Out of curiosity, what is "embedding" doing that "word" does not?)

	▲	wongarsu 2 hours ago \| parent [-]
		Word would imply that this only happens when I translate my thoughts to a chosen human language (or articulate thoughts in a language). I chose embedding because I think this happens much earlier in the pipeline: the information of the exact shade is discarded before the scene is committed to memory and before most conscious reasoning. I see this as something happening at the interface of the vision system, not the speech center. Which is kind of Sapir-Whorf, just not the extreme version of "we literally can't see or reason about the difference", more "differences we don't care about get lost in processing". Which you can kind of conceptualize as the brain choosing a different encoding, or embedding space (even though obviously such a thing does not exist in the literal sense in our brains) Edit: in a way, I would claim Sapir-Whorf is mistaking correlation for causation: it's not that the words we know are the reason for how we can think, it's that what differences we care about cause both the ways we think and the words we use