I'm honestly not getting the human story thing when it comes to music and maybe art in general. I mean I get what it means, but I don't think it describes why people enjoy art.

To me, it seems more like people place their own meaning in art. A particular song might remind one individual of the good times they had in their teens, while the actual meaning of the song is completely different.

Bachs 5th symphony (or whatever) might be extremely annoying to someone because they had to listen to it every day at work.

And what exactly is the meaning of jazz fusion? I really like a good solo, but a lot of people hate it, they need to hear a voice. (though I don't particularly like the signature Suno or Udio solo..)

I found this ai track on Spotify that I unironically enjoyed. I listened to it every day while working on reviving an old passion project, which became its meaning to me. The tune, a long with its album with random disparate suno generations was taken down.

I'm not sure if I have a point here, but something is off with the story thing in art to me from a consumers point of view. Maybe from other artists as consumers point of view?

Your point echoes the "death of the author" concept in literature, where the work is independent of the creator, full stop. It's a useful concept up to a point, but if you really have no idea what it means to have a deep connection to music that is wrapped up in some idea of the creator as a human being, you should trust others when they say they do and it's important to them. For those of us with that value, AI slop is offensive, and to be clear, it has precedents in history with Muzak, early schlager music etc -- what they all share is a desire to use the power of music for non-artistic ends, which sucks from any number of viewpoints. If music has non-artistic utility, that doesn't justify a concerted effort to take away artist-made music from those who may not be paying attention.

> Bachs 5th symphony (or whatever) might be extremely annoying to someone because they had to listen to it every day at work.

Or Beethoven's 9th. For different reasons...

except that what you’re describing is the CONSUMER SIDE of meaning, not the SOURCE of it.

yes, listeners project their own memories onto music, no one’s disputing that. but that doesn’t make the creator, context, intent, or labor irrelevant. treating music as interchangeable stimulus is how you end up defending systems that strip human work of attribution, risk, and livelihood while still feeding on the cultural residue artists created in the first place.