| ▲ | tolerance 20 hours ago | |||||||
Why not? One quality is inherent, the other inherited. The typeface was developed with banality in mind and presumably become popular because of its utility in this respect. The ensuing popularity in word processors and on the Web likely lead to the idea that it’s more professional than others. Again, the author: > Indeed, the stronger explanation for Times New Roman’s long reign isn’t aesthetic excellence, but practicality and inertia. | ||||||||
| ▲ | f30e3dfed1c9 20 hours ago | parent | next [-] | |||||||
"The typeface was developed with banality in mind..." That's completely wrong. Times New Roman was designed for legibility at small sizes, in narrow columns, on absorbent newsprint, printed at high speed. That is, it was designed explicitly for a very specific purpose, which it fills admirably. None of that should be taken as any kind of comment on the current brouhaha. | ||||||||
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| ▲ | moron4hire 17 hours ago | parent | prev [-] | |||||||
Because font choice outside of large strokes like fantasy fonts is meaningless. All of this exposition only works if people are literate in typography enough to get it. Most people can't even understand literalist art, say nothing about the symbolism of typography. It's like how the Victorians invented a whole meaning categorization to different species of flowers and then acted like it was universal law. It's a secret in-crowd code. It has no inherent meaning. | ||||||||
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