| ▲ | xanthor 3 hours ago | |
The fact that you immediately think you know what the author I referenced has written and continue to plow forward with your pre-established conclusions is evidence of the “dominant western narrative” effect. Accounts from well-off diaspora of any country will always be negative. It’s a self-selecting group with specific interests. | ||
| ▲ | sersi 28 minutes ago | parent [-] | |
I mean I skimmed it earlier but I do plan to read it. That said my pre-established conclusions are based on first hand negative accounts of people who currently still live in China some of which do not speak English so weren't influenced by any "western narrative" (where I also lived for a number of years before moving to HK). Those are not accounts from a well-off diaspora. EDIT: By the way, it's not that hard either to find books written by Chinese writers not part of the diaspora that are critical of the cultural revolution (Serve the people by Yan Lianke, 3 body problem by Liu Cixin) or the great leap forward (4 books by Yan Lianke). Obviously, writers living in China that have to deal with censorship tend to be less directly critical of it compared to writers from the diaspora but that doesn't stop some criticism to shine through.a | ||