I really like Cory Doctorow’s description of why it feels empty, quote:

“Herein lies the problem with AI art. Just like with a law school letter of reference generated from three bullet points, the prompt given to an AI to produce creative writing or an image is the sum total of the communicative intent infused into the work. The prompter has a big, numinous, irreducible feeling and they want to infuse it into a work in order to materialize versions of that feeling in your mind and mine. When they deliver a single line's worth of description into the prompt box, then – by definition – that's the only part that carries any communicative freight.”

OK, but then there's the possibility of reestablishing the bandwidth by selecting the output. If the artist selects one AI image from hundreds, that's like photography, or collage, or "found sculpture" if you can dig it. Then we can do away with the need for hundreds of versions by saying that the artist selected this image from among all the assorted sights seen during the day to frame as art and present to the viewer, and that's just like picking a preferred version from among hundreds, and thus is just like crafting an image. Tenuously. (This falls apart because the selectivity of the selection isn't good enough, I guess. But the process - throwing away bad ideas as you go along - is just like drawing.)