| ▲ | stuxnet79 a day ago | |
Private trackers as I understand it, are still a thing in the mid 2020s. Did a replacement that matches (or surpasses) What.cd not pop up in the meantime? I'm just wondering how a strong community like that was struck a deathblow. It's not like all of its content disappeared. | ||
| ▲ | jmb99 a day ago | parent | next [-] | |
Orpheus and redacted (previously passtheheadphones) both appeared shortly after what.cd’s demise. I believe they both now have more total torrents than what.cd, however the depth is still not what what’s was 9 years on (I know this because some of my uploads from what are still missing, partially because I no longer have the source material). And, the “cultivation” (ensuring no duplicates, recommendations for releases, general community, etc) is nowhere near what’s. I would say all other media (or at least, the media I care about - film, tv, books) has what.cd equivalents, sometimes multiple. I think Spotify and AM killed 95%+ of “true” private tracker interest for music, especially with lossless and surround releases being available. The diehard core are still there (names from 15 years ago are still active) but it’s really not the same. | ||
| ▲ | doublepg23 a day ago | parent | prev | next [-] | |
Orpheus and Redacted existed but it's kind of hard to beat the convenience of streaming for the low price in 2025. Granted you can set up automated *arr systems with PLEXAMP to get a pretty seamless "personal Spotify" setup IME getting true usefulness out of trackers of What's quality always required spending real money - to obtain rare records/CDs on marketplaces - or at least large amounts of time if you went the "rent CDs from the library" route. I personally haven't ran into much RYM releases lacking on Apple Music and what is lacking I can find on Bandcamp or YouTube. | ||
| ▲ | kungp a day ago | parent | prev [-] | |
It did, took only a few weeks iirc. | ||