Ah, thanks -- I was just trying to capture the weirdness that happens when a work is set in the past, and then that work itself becomes old. For instance, if you watch Braveheart right now you're getting two views of the past: you're getting a (not-very-realistic) view of medieval England, and then in addition you're getting a view into how people in the 90s felt about history and social issues.

In the long run, this makes for very interesting rhetorical analysis of the work.

Your example of Braveheart, for instance, involves two views of the past through the lens of the _present_. So even in that context, both of those views are tinted by the experience and environment of the observer.