I haven't read Austen, but there's an infamous exchange in the original series where the ceremonial head of the Space Nazis compares his son, the acting head of the Space Nazis, to Hitler. The son replies, essentially, "Thanks."

There's a tension in Mobile Suit Gundam and its direct descendants. The Space Nazis (Zeon) are also sort of, kind of a stand-in for Imperial Japan during WWII, and between the implicit relatability therein, and the charisma and popularity of series antihero Char Aznable (a Zeon officer), there is an enthusiasm in fan circles (leaking into later productions) for humanizing grunts on the "villain" side while emphasizing the corruption of the side the heroes happen to be on. But this as subtext to the headline narrative of Zeon being mass-murderers and the Earth Federation trying to stop them.

There's also running, unspoken theme of the various corporate conglomerates playing governments and ideologues against each other for profit, and occasionally stepping in (usually with a particularly powerful prototype robot) when one side threatens to blow up the Earth Sphere for realsies.

The end result is a lot of people dying for no reason, and constant backsliding into a state of war, and main characters who realize how ridiculous such circumstances are, but (as per TFW) don't have much power to do anything other than try to survive and protect their loved ones. Viewers are able to see where the shape of that society is warped.

That's without speaking much to the alternate universes. In Gundam Wing, the greatest threat to a global aristocracy-cum-junta is a small, loosely-associated paramilitary group made up of 5 teenage boys and their supporters. The machinations of colonial-era Europe are so philosophically feeble as to be legitimately challenged by NSYNC and Greta Thunberg.

There's also that the republic of zeon was started as a legitimate independence movement, but was subverted by the Zabis.

That must have been in the BBC version of Pride...