| ▲ | Mystery Science Theater 3000: The Definitive Oral History of a TV Masterpiece(wired.com) |
| 74 points by indigodaddy 6 days ago | 14 comments |
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| ▲ | elif an hour ago | parent | next [-] |
| Something about the way they aggressively released all their content, streaming it 24/7 on all platforms, removed the magic for me completely. I used to love these, but now I can't sit through more than 5 minutes, because that sense of "oh this is special" is gone. I think for slow burn/buildup art, you have to kind of keep it special. |
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| ▲ | LatencyKills 12 minutes ago | parent [-] | | Isn’t that just “I can’t regulate my media intake” problem? Why wife and I watched the entire series over a year and loved every minute. |
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| ▲ | dlhavema 9 hours ago | parent | prev | next [-] |
| I loved their spin off Rifftrax.com, a bit tricky to get working, but worth it to hear the same guys trashing blockbuster movies instead of B movies. |
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| ▲ | CoastalCoder 2 hours ago | parent | next [-] | | Worth mentioning that RiffTrax has a large catalog of riffed shorts (and a few lousy films) that don't require that. E.g., two of my favorites: "Shake Hands with Danger" and "More Dangerous than Dynamite". And the ones dubbed by Bridget and Mary Jo are great! Before them, the only narrator group I really liked was Mike+Kevin+Bill. | |
| ▲ | awayto 4 hours ago | parent | prev [-] | | Both have 24/7 twitch channels https://www.twitch.tv/rifftrax https://www.twitch.tv/mst3k |
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| ▲ | gnabgib 6 days ago | parent | prev [-] |
| (2014) |
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| ▲ | KingMob 6 days ago | parent [-] | | Which is funny, because since then, MST3K had a wildly-successful Kickstarter, and managed to bring back 3 more seasons. | | |
| ▲ | tstrimple 9 hours ago | parent [-] | | I remember enjoying quite a bit of MST3K but also have been burned by revisiting nostalgia too many times so I tend to just leave things alone now. I know it's subjective and not a fair question, but is the newer MST3K worth following up on? | | |
| ▲ | 5555624 3 hours ago | parent | next [-] | | The host segments with Jonah aren't too bad. I don't care for the host segments with Felicia Day & Patton Oswalt; but, I didn't care for Pearl and Bobo, either. I don't care for the changing voices and characteristics of the bots, either. I think the riffs are more "generalized." In the original, there were riffs that were regional or more obscure (e.g. Hamdingers). | | | |
| ▲ | uhoh-itsmaciek 4 hours ago | parent | prev | next [-] | | The vibe is not the same, but Jonah is likeable, Felicia Day and Patton Oswalt are good as the Mads, and the movie selection is fantastic: Reptilicus? Munchie? The Christmas Dragon? Every film is a magnificent slice of different B-movie territory. | |
| ▲ | michaelbuckbee 3 hours ago | parent | prev | next [-] | | Absolutely, if nothing else it's a fantastic entry point for new people to watch the show (especially kids). Note also, there's another season that's on the streaming services as individual movies post the Netflix reboot with much of the same team. | |
| ▲ | 1123581321 6 hours ago | parent | prev | next [-] | | I don’t like them as much, but Jonah at least feels like a legitimate third human on the satellite after Joel and Mike. Starcrash is one from that Kickstarter season to check out. At this point it sees the fans are split into people who follow whatever MST3K and Rifftrax do, “keep sharing the tapes,” and people who liked MST3K because it was funnier and scrappier than other shows and tapered off when it lost that. I lean toward the latter, but I’m friends with the former and we make it work. | |
| ▲ | bink 7 hours ago | parent | prev [-] | | pluto.tv has the older "Joel" episodes and I've been enjoying them occasionally. The newer stuff for me has a bit too much "drama kid" energy, if that makes sense. |
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