| ▲ | mikkupikku an hour ago | |||||||
Much of it comes from people feeling challenged and threatened by the new tech so they construct elaborate philosophies to justify how they feel, but this rapidly crumbles when you look closer. For instance, artists felt threatened by generative AI and came up with a narrative about copyright stuff. But then Adobe comes along with generative AI which doesn't have the copyright issue and how do those same artists respond? With a loud "fuck you" to Adobe, because the root of their objection was never copyright but rather what the new technology would do to their established careers. In this atmosphere, I think it's easy to perceive an implied rejection of and threat to AI generated code, even if the focus is on art assets, because people aren't being entirely direct and forthright about exactly what it is they're upset about, and that makes for a landmine field. | ||||||||
| ▲ | DoctorOW 27 minutes ago | parent | next [-] | |||||||
Thank God the benevolent Adobe shareholders have swooped in to protect us from people who have learned a skill. | ||||||||
| ▲ | stego-tech 41 minutes ago | parent | prev [-] | |||||||
Yeah nah. The core reason they’re pissed is the blatant theft of their work to train these models without compensation or permission (the age old “if it’s on the web it’s free to use” bullshit argument), with “artistic merit” being a distant, but still critical, second. If you can actually write stories or create art, you can see the “seams” in generative content and it gets to be quite nauseating. The fact it was trained on your own output by a trillion-dollar megacorp via theft while you scrape money for rent is the injury to the former’s insult. | ||||||||
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