| ▲ | oktwtf 32 minutes ago | |
Typography nerds are some of my favourite nerds. Font specimen pages are so often screaming with design language and intention, they push and prod to evoke and present. Maybe the secret has something to do with the lack of priority to the actual content; just present the font gosh-darn! Looks nicely executed within the confines of the inspiration. very cool | ||
| ▲ | shagie 7 minutes ago | parent | next [-] | |
Andrew Glassner's Notebook: Recreational Computer Graphics is a really neat book (I especially like the tiles that can add numbers). The author's site is https://glassner.com/computer-graphics/ Chapter 6 in the book ( https://archive.org/details/andrewglassnersn0000glas/page/98... ) Signs of Significance starts with 7 segment displays to the 14 segment and 5x7... He then goes on to the 66 segment Vienna underground font and an 83 segment font he saw in an elevator at a Siggraph conference in Orlando ... and then concludes with his own 55 element mosaic. -- Also, Adam Savage's Tested - https://youtu.be/eKCcqlJnZcA (3 days ago) looking at https://www.kellianderson.com/books/alphabetinmotion.html At 7:00 into the video is C & D pages looking at the modularity of a font. (the section "U & V" about 3/4 down the page has the modular components for Kombinations-Schrift https://www.moma.org/collection/works/2724 which was also looked at at 22:00 into the video. | ||
| ▲ | 6 minutes ago | parent | prev [-] | |
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