Do you have any particular pieces in mind when you wrote this?

Bach is impressive, no doubt, but to each their own perhaps. I acknowledge that I have not received the appropriate training to fully appreciate the complexity in his works, so I wish I could hear what you do. To my ear, (and this isn't a novel opinion in the slightest), I think the Baroque era was more limited in expression due to the inherent limitations in the instruments and consequent styles at the time. Within those constraints, calling Bach an absolute titan of composition would be an understatement. But one wonders what he could have made without those constraints.

Bach's most approachable music might be his cello suites.

But also, I think there are two camps of fans of "classical music" (by which I mean music in the styles: Baroque, Classical, Romantic, Impressionist, etc). There are those who listen to the music, and those who play it.

For the most part, those who only listen to music often prefer Romantic and Impressionist styles. From the moody and dramatic to the gentle and contemplative, these styles are very approachable to the untrained ear.

But those who play an instrument (or sing in a choir) spend lots of time practicing and rehearsing and interpreting the music as it's written on the page. This extra time makes all of the little nuances of Baroque music truly come to life. The classic example is Bach's Crab Canon, which is a fine little piece of music... but once you realize that the whole thing is a palindrome, and you can actively appreciate how the same parts work in a forward and backward context, it becomes really interesting and pleasant.

So if Bach doesn't do it for you, and you play an instrument, try diving into playing it yourself.

Sure! When I think of why I love Bach, I often think of works where he demonstrates an ability to express often conflicting emotions at the same time. For example, in St. Mathew’s Passion, there’s a famous piece entitled “Mache Dich, Mein Herze” — it’s sung at a part where the followers of Christ are laying his body to rest, and somehow merges genuine despair with hope, representing the promise of resurrection. I think his ability to represent despair and hope at the same time is pretty extraordinary.

Other pieces I love are the 3rd and 5th Brandenburg concertos, as well as “Wachet Auf”: https://www.youtube.com/watch?v=WgXL_wrSPF0

No shade if he still doesn’t click with you. I’m just particularly ardent on the subject of Bach and baroque music!

I'm not the GP but I can recommend Bach's Partita in D minor, said to have been composed after returning from travel to find that his wife had died and been buried in his absence.

https://youtu.be/VfwVim0EybY

Brahms said of it: "On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind."

when it comes to Bach I am surprised more people don't mention pieces like this

https://www.youtube.com/watch?v=tsxP-YjDWlQ (arioso from the cantata 156, here for oboe)

which I think stands up just fine against pretty much any other classical piece baroque or not.

Personally I have a very big soft spot for his organ works, as I play (badly) some organ myself, and among those I don't see the trio sonatas recommended nearly often enough (here is a live recital of all of them, which is super impressive)

https://www.youtube.com/watch?v=eK9irE8LMAU

among those I probably enjoy the most the vivace of BWV 530. Other favorite pieces are the passacaglia and fugue https://www.youtube.com/watch?v=nVoFLM_BDgs the toccata adagio and fugue in C major https://www.youtube.com/watch?v=Klh9GiWMc9U (the adagio especially is super nice), but there's so many. Among organists I often come back to Helmut Walcha, and am always amazed at how he was able to learn everything just by listening, him being blind.

You should listen to Hilary Hahn's renditions of Bach's partitas and sonatas. She brings out the subtleties of Bach's composing beautifully, and the purity of his music is easy to appreciate in these solo pieces.

https://inv.nadeko.net/playlist?list=PLor_18TcpRrxQmne5_SKRy... (YouTube proxy)

Try this one on for size

https://www.youtube.com/watch?v=Ce8CDz9PUfs

The Cantatas. All of them.

> But one wonders what he could have made without those constraints.

I had a friend that said if Mozart/Bach/et al had access to modern music production equipment, they'd all write psytrance. But it is just another example of "take great talent from long ago and put them in modern day" comparisons.

This is only scratching the surface but I will present one of his most famous pieces to people who might ask why something like this is said. Keep in mind this was written 300 years ago. That's 300. fucking. years. ago. Think about how dated something from the 80s might sound. How modern does this sound? How completely universal is it's beauty? To me, this could have been written today and still sound fresh and beautiful.

https://www.youtube.com/watch?v=iWoI8vmE8bI

This piece is still deeply moving despite centuries of tastes changing. This is only barely scratching the surface of Bach. As a musician, when I listen to other great musicians speak, they all speak about Bach as the best. Of course that's subjective, and there are no 'wrong' answers on who is your favorite, but when the feeling is so nearly unanimous amount people who are often, frankly, contrarian and counter culture it says something.