This is a superb piece of research, and odd that nobody has pulled this material before.

The Atlas 2 is obviously the successor to the Atlas, which Turing worked on before "The Baby" at Manchester University booted up, at which point he quit and moved to Manchester to work on that.

I seem to recall his early programs for The Baby - and his planned use of the Atlas - was to model "morphogens", his theory of how animals got their strips, spots and other markings. I think it was at the Science Museum in London (worth a trip for computer historians anyway to see Babbage's Analytical Engine, built in xxxx, next to a jar containing Babbage's actual brain), where there was a collection of printouts showing spots like on a Friesian cow (the most common breed of dairy cows in England).

I find this diving back into early uses of computing for creative and scientific purposes fascinating - it's like people were just so excited about being able to do interesting things, they just dived in with the tool that they had.

The poetry of Coetzee's program in this article is interesting - it's better, arguably, than you'd get from an LLM today. It's mildly mysterious, grating, intriguing but uncomfortable. A little like the things I remember of Coetzee's actual later writing (which I've not read much of, TBH).

Coetzee writes a bit about his early programming career in his autobiographical novel Youth.

https://en.wikipedia.org/wiki/Youth:_Scenes_from_Provincial_...

For me, Brian Westley is the greatest code poet of all. His poem was a winner in the 1990 round of the International Obfuscated C Code Competition under "Best layout - poetic exchange between lovers":

https://raw.githubusercontent.com/ioccc-src/winner/refs/head...

Love is a not a toilet

From: https://www.ioccc.org/1990/westley/index.html

Some previous discussion:

2017 https://news.ycombinator.com/item?id=14776042

For your consideration: Waka Waka Bang Splat [1]

  < > ! \* ' ' #
  ^ " ` $ $ -
  ! \* = @ $ _
  % \* < > ~ # 4
  & [ ] . . /
  | { , , SYSTEM HALTED

The nature of the output displayed

    EQUIVOCAL HERESIARCH TAMP THE PRESBYOPIA
    STYPTIC ILLUSION ABSORB THE EIDOLA

Before LLMs, I found this a very enjoyable activity; my similar program at http://canonical.org/~kragen/sw/dev3/dramaticphrase.py outputs lines such as:

    The raw wind of the smooth horse.
    An evil labyrinth of the monstrous, dying waters.
    The mere gate of deserted gardens.
    The smiling stairway of countless sweet fangs.
    The shattered witch of the diseased, ruby monk.
    The asphalt house of the smooth unicorn.
    A haunted fire of the sorrowful theft.
    The stainless raven of countless living gates.
    My haunted cloud beneath her glorious father.
    The brazen father of their raw villages.

I also wrote a Spanish version at http://canonical.org/~kragen/sw/dev3/frasedramatica.py, which says things like:

    Cien hijos halagüeños de la emoción infinita y monstruosa.
    Los labios caídos de zorros corruptos y dignos.
    Un exilio inmaculado dentro de las imprecaciones violáceas y ardientes.
    Los dos pies insepultos de mis labios profundos e infinitos.
    El oro bello de una libertad corrompida.
    El angustia monstruosa de zorros desmoronados.
    Aquel campo brillante de su princesa destrozada.
    Una joven emoción de un tronco enmascarado.
    El viento hermoso de su abandono griego.
    Una ley romántica del abandono destrozado.

I've often wondered if J. M. Coetzee was related to Wikipedia editor Derrick Coetzee with whom I used to collaborate on computer science articles.