"Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature. CD distortion, the jitteriness of digital video, the crap sound of 8-bit - all of these will be cherished and emulated as soon as they can be avoided. It’s the sound of failure: so much modern art is the sound of things going out of control, of a medium pushing to its limits and breaking apart. The distorted guitar sound is the sound of something too loud for the medium supposed to carry it. The blues singer with the cracked voice is the sound of an emotional cry too powerful for the throat that releases it. The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them." -Brian Eno

My HAM radio instructor (VE3XT) was a transmitter engineer who lamented the resurgence of tube amps in the 2000s. He said that what young people call “warmth” in sound is distortion that his kinfolk worked tirelessly to eliminate.

I didn’t understand it at first, and then I saw the growing interest in compact cassettes and was metaphorically tearing out my hair.

> Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature

Exactly how I feel about AI art today, and doesn't make me super hopeful for the future. Hopefully there been cases where that hasn't been true?

But then I remember seeing datamoshing as weird the first times I saw it used as a transition in the "Off the Air" TV series/anthology, nowadays I think it makes me fuzzy and almost nostalgic instead?

Looking forward to cherishing “You are absolutely correct, let me fix that…”

> CD distortion

Care to elaborate on that?

> CD distortion

WHAT?!

Maybe you mean the dynamic range clipping caused from the bad mastering that happened during the loudness wars, but CD as a medium is impossible to have audio distortion due to its impressive 44.1 kHz sample rate at 16 bit depth.