> Did David Lynch make Mulholland Drive because he predicted it would be a good movie?

He made it because he predicted that it will have some effects enjoyable to him. Without knowing David Lynch personally I can assume that he made it because he predicted other people will like it. Although of course, it might have been some other goal. But unless he was completely unlike anyone I've ever met, it's safe to assume that before he started he had a picture of a world with Mullholland Drive existing in it that is somehow better than the current world without. He might or might not have been aware of it though.

Anyway, that's too much analysis of Mr. Lynch. The implicit question is how soon an AI will be able to make a movie that you, AIPedant, will enjoy as much as you've enjoyed Mulholland Drive. And I stand that how similar AI is to human intelligence or how much "true understanding" it has is completely irrelevant to answering that question.

> how soon an AI will be able to make a movie that you, AIPedant, will enjoy as much as you've enjoyed Mulholland Drive

As it stands, AI is a tool and requires artists/individuals to initiate a process. How many AI made artifacts do you know that enjoy the same cultural relevance as their human made counterparts? Novels, music, movies, shows, games... anything?

You're arguing that the types of film cameras play some part in the significant identity that makes Mulholland Drive a work of art, and I'd disagree. While artists/individuals might gain cultural recognition, the tool on its own rarely will. A tool of choice can be an inspiration for a work and gain a certain significance (e.g. the Honda CB77 Super Hawk[0]), but it seems that people always strive to look for the human individual behind any process, as it is generally accepted that the complete body of works tells a different story that any one artifact ever can.

Marcel Duchamp's Readymade[1] (and the mere choice of the artist) gave impact to this cultural shift more than a century ago, and I see similarities in economic and scientific efforts as well. Apple isn't Apple without the influence of a "Steve Jobs" or a "Jony Ive" - people are interested in the individuals behind companies and institutions, while at the same time also tend to underestimate the amount of individuals that makes any work an artifact - but that's a different topic.

If some future form of AI will transcend into a sentient object that isn't a plain tool anymore, I'd guess (in stark contrast to popular perception) we'll all lose interest rather quickly.

[0]: https://en.wikipedia.org/wiki/Honda_CB77#Zen_and_the_Art_of_...

[1]: https://en.wikipedia.org/wiki/Fountain_(Duchamp)

> unless he was completely unlike anyone I've ever met,

I mean ... he is David Lynch.

We seem to be defining "predicted" to mean "any vision or idea I have of the future". Hopefully film directors have _some_ idea of what their film should look like, but that seems distinct from what they expect that it will end up.