> there are already more cheese varieties around than anyone could eat in a lifetime.

If that's what you think then why don't we just close down all the studios and instrument shops. We've got enough, no need to keep producing it?

You can copy and distributed the cheese freely but the farmer still has to spend money taking care of and housing the cows, milking the cows, going through the whole processes of churning and pasteurising and everything else, then packaging it and disturbing it to where you can initially find it.

Now after all that you come along and make your perfect atomic copy and walk away saying "Well screw you, you should have no say in any of this..."

Then what? What's the incentive to produce and distribute new cheese? You really think it doesn't matter because you already have cheese from the past? Because there's a lot to be said about cheese that captures the spirit of the zeitgeist...(Ok that last bit didn't work in the metaphor)

There is nothing wrong with people creating new music, either out of passion or because they have some way to get paid for it (patronage, crowdfunding, live performances). But as abundance of available creative works increases we need to re-evaluate what cost we should pay as a society in order to incentivize it. IMO we are at a point where no incentive via copyright is needed and the cost copyright imposes on everyone is way too high. The world only works as well as it does because most people routinely ignore copyright already.

And no, in this analogy the farmer doesn't have to keep working for us to have enough cheese - only if someone specifically wants a new kind of cheese. We don't need to bend reality in order to make information scarce for that.