> I think it’s “goofy” (to borrow a term from the grandparent comment) to brush away the influence that Black (as in US) culture has on Blacks (everywhere else) today.

You'd probably best argue that point with someone that thinks US Black culture has had zero global travel and influence then.

What isn't 'goofy' is the notion that US and African Black culture have had a near continuous back and forth interchange throughout history, the 1969 Harlem Cultural Festival featured a strong 'Back to Africa' thread that highlighted contemporary African music, polyrhythmic forms, call and response, specific artists, etc. all of which can be found in the US Black Culture musical production of today .. WhoSampled highlights sources of many drum beats used in early hip hop recordings of the 1980s that are now considered iconic, and so on.

> Bangs (and external agents independent of Black people) disrupted the matrix

Who or what is 'Bangs', to which matrix do you refer? <insert relevant Samuel L. Jackson quote>

> and the “mother lode” is no longer centralized at the “mother land”.

Not a great turn of phrase, mother lodes can be exhausted but they don't move.

To the point buried within, Africa may have been the point of origin of all humanity but it was never the point of genesis of all musical form, Gamelan is almost unique to the Sundanese peoples (Indonesia) with tenuous backlinks to Indian forms at best .. it's a long way from there to any prior African drum or percussion influences.

In greater human history people have made their own unique forms and variations across the globe, post near instant global communication, recording and playback, these forms all mutually intertwine and influence each other.

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tolerance 2 days ago | parent [-]

Well here I am thinking that a mother lode just meant a lotta stuff kept somewhere, and simultaneously surprised that you aren’t familiar with South Sudanese-born artist “Bangs” and that you didn’t catch on to “matrix” as a reference to Africa being the developmental environment for Black music [but were keen to pick up on the aforementioned mother lode gaffe that short circuited our little game of language surrounding the origins of Black culture].

Explaining a joke or a wry remark is about as deflating as either fallen flat. So you’ll have to pick up on the grander point that I was trying to make by yourself.

Suffices to say that you’ve managed to do that already anyhow in a manner far more sophisticated than my own.

I had a great time, you?

	▲	defrost 2 days ago \| parent [-]
		I'm good - I enjoy a rambling conversation nominally centred about <something> Mother lode comes from mining, the real or imagined source of tiny nuggets found washed further downstream (by current or ancient no longer present water flows). In that sense, to which I'm a little wedded by practice, they don't move about, at least not until mined dry and relocated to some treasury or rich persons pocket. Bangs and matrix are overloaded, it's hard keeping up with what others mean in their use of terms, Gammon in the UK has a meaning different to it's use by urban aboriginal people in Australia. For some the origins of local Black Culture have little remnant of African culture and predate both the arrival of convict ships upon the tide and the retreat of ice from Europe that allowed the settlement of the extremely white bits. Great party hats though: https://en.wikipedia.org/wiki/Gwion_Gwion_rock_paintings * https://www.magabala.com/products/yorro-yorro RIP Kumanjayi Mowaljarlai - https://www.youtube.com/watch?v=gw-AgvUEVm4