Thank you for the valuable and constructive comment!

I just didn't feel like discussing the satire angle was very interesting! In the article:

> In Omphalos, Young Earth Creationism is empirically true2. Astronomers can only see light from stars 6,000 light-years away. Fossilized trees have centers with no rings. The first God-created humans lack belly buttons. The scientists in that story keep discovering multiple independent lines of evidence that converge on creationism: because in that universe, they're simply correct.

I think this section makes it very clear that in one sense, it's a clear satire of religion, or at least Creationism (implied: we do not see this, so it's implausible we're in a YE Creationist world). I didn't think it was worth spelling it out. Also overall I thought anti-religious satire in fiction is fairly common (I remember reading Candide in high school, and Pullman around the same time or a little earlier) and far from what makes Chiang special.

Agree with your thoughts on Exhalation. I hope they make it out, but also completely understand why Chiang ended the story where he did.

TBH I'm glad you left it out! It's an uncomfortable aspect to his stories. His narration hovers above the action with such perfect grace... The satirical element, or its implication, somehow mars that perfection. It is probably better left unsaid by critics and admirers, and left to the individual reader. In truth I shouldn't have mentioned it.