▲ | stego-tech 6 days ago | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I fully agree with your observations, and would add the irony of such a pursuit by phone makers is that serious hobbyist/amateur/professional photographers and videographers understand that cameras are inherently inaccurate, and that what we’re really capturing is an interpretation of what we’re seeing through imperfect glass, coatings, and sensor media to form an artistic creation. Sure, cameras can be used for accuracy, but those models and lenses are often expensive and aimed at specific industries. We enjoy the imperfections of cameras because they let us create art. Smartphone makers take advantage of that by, as you put it, cranking things to eleven to manipulate psychology rather than invest in more accurate platforms that require skill. The ease is the point, but ease rarely creates lasting art the creator is genuinely proud of or that others appreciate the merit behind. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
▲ | mcny 6 days ago | parent | next [-] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
I don't spend too much time thinking about cameras or lenses but this kind of conversation makes me wonder... when I take photos of receipts or street signs or just text in general, is it possible that at some point the computational photography makes a mistake and changes text? or am I being paranoid? | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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▲ | Karrot_Kream 6 days ago | parent | prev [-] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
> We enjoy the imperfections of cameras because they let us create art For something as widespread as photography I'm not sure you can define a "we". Even pro photographers often have a hard time relating to each other's workflows because they're so different based on what they're shooting. The folks taking pictures of paintings for preservation are going to be lighting, exposing, and editing very differently than the folks shooting weddings who will be shooting differently than the folks doing architecture or real estate shots. If you've ever studied under a photographer or studied in school you'll learn this pretty quickly. There's a point to be made here than an iPhone is more opinionated than a camera, but in my experience most pro photographers edit their shots, even if it's just bulk application of exposure correction and an appropriate color profile. In that way a smartphone shot may have the composition of the shooter but not the color and processing choices that the shooter might want. But one can argue that fixed-lens compacts shooting JPG are often similarly opinionated. The difference of opinion is one of degrees not absolutes. As an aside, this appeal to a collective form of absolute values in photography bothers me. It seems to me to be a way to frame the conversation emotionally, to create an "us vs them" dynamic. But the reality of professional photography is that there are very few absolute values in photography except the physical existence of the exposure triangle. There's no such thing as "accurate photographs". I don't think we can even agree if two human perceive the same picture the same way. I do think the average person today should learn about the basics of photography in school simply because of how much our daily lives are influenced by images and the visual language of others. I'd love to see addition to civics and social sciences classes that discuss the effects of focal lengths, saturation, and DOF on compositions. But I don't think that yearning for an "accurate photo" is the way. |