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piva00 a day ago

> The fact that contemporary art circles handwave away that relevance while arrogantly mumbling "you're just miopic, ignorant and misguided, learn more" doesn't really change that fact.

> From the outside, it just shows that you too have been co-opted into the cult. You're free to subscribe to that view, but you don't get to gatekeep the meaning of art, no matter how many members that cult may have.

Isn't beauty in the eyes of the beholder though? I do see beauty in a lot of art deemed "part of the cult", how do you even attempt to objectively judge aesthetic beauty in a vacuum? Beauty exists in contexts, there is stuff that without the context just looks weird, with context it becomes beautiful, how do you assess the objective aesthetic beauty of such without delving into philosophical discussions?

You are all free to create an art movement that aspires to do what you believe art should be: aesthetically beautiful, devoid of philosophical meaning as pursuit of beauty, beauty for its own sake, etc., it will be included, admired, rejected, judged as misguided, so on and so forth, just like you are doing with contemporary art that you do not agree with.

Isn't that all art anyway?

airstrike a day ago | parent [-]

> Isn't beauty in the eyes of the beholder though?

This is a truism, and I don't even think it's that accurate. There are some universal aspects to our perception of beauty such as symmetry, balance, tension-and-release, contrast, recursion... whatever it may be. We don't need to know what it is to tell that it's there.

wrs a day ago | parent [-]

Maybe, but all of those are context-dependent and can operate at high levels of abstraction. The beholder needs to be able to recognize them to appreciate them. A Rothko or Pollock has those things, but that doesn’t make them automatically appreciated. Assuming you’re from a western culture, listen to some Thai classical music and see how obvious the beauty is to you.