> But is there a real connection between being wrong and not being read or are you yourself wrong ?

You don’t need to be a standup comedian yourself to spot bad comedy.

> Furthermore, I doubt there are any chances "right/wrong" applies to aesthetical types of philosophical discussions.

It’s hard to figure out what readers want because you don’t get direct feedback. But if you spend any amount of time in front of an audience, it becomes incredibly clear that some things work on stage better than others. I truly believe charisma is a learnable skill. By treating it as talent we deprive people who aren’t charismatic the chance to improve. Writing is just the same. Claiming that there’s no “right/wrong” here implies that it’s impossible to learn to write in a more engaging way. And that’s obviously false.

I did a clowning course a few years ago. In one silly exercise we all partnered up. Each couple were given a tennis ball, and we had to squish the ball between our foreheads so it wouldn’t fall. And like that, move around the room. Afterwards the teacher got half the class on stage and do it again, while everyone else watched. Then the audience got to vote on which couple we liked the most. It was surreal - almost everyone voted on the same pair. Those two in particular were somehow more interesting than everyone else. In that room there was a right and a wrong way to wordlessly hold a tennis ball between two people’s faces. And we all agreed on what it was.